This Sunday, Cath & Jay will present a rare performance of songs from their Bonzer Aussie Christmas album and show which toured the UK for several years.
Original songs like “Wayne Wants a Surfboard For Christmas” and “Peace Is All We Need” nestle alongside well-known traditional carols and comic Aussie-fied carols given a refreshing Mundy-Turner treatment.
“Lake of Stars”, a favourite among Cath & Jay’s community choirs, takes the audience on a journey to the glorious rainforest crater-lake of Lake Eacham in Queensland’s Far North, where “Silent Night” takes on a new reverence in the cathedral of the Milky Way.
WHAT: Folk Redlands Christmas Bash
WHERE: Indigiscapes, Runnymead Rd, Capalaba, Redlands
WHEN: Sunday 4 December, 2016, 12-6pm
Enjoy lunch at the Indigiscapes Cafe then check out the many other acts.
Mundy-Turner perform at around 3:20-4pm.
Micah Project’s official launch of our new video “Have You Forgotten Me?” was a great success last Friday night the Edge Auditorium at the State Library of Queensland. It was thrilling (at least for us!) to see the film on the big screen. It looked amazing. Congratulations to the entire production and creative team!
The audience, many of whom were Forgotten Australians or Former Child Migrants, gave the film a standing ovation that lasted a long time. Many people sought us out to hug us and tell how much they loved it. Many tears.
A woman called Robyn Ellis, also a Forgotten Australian, had seen it on YouTube and had travelled from the Gold Coast to be present at the launch. It was lovely to meet her.
The evening was complete when we were joined by the voices of Forgotten Australians and Former Child Migrants from Lotus Place backed by With One Voice Brisbane choir to perform the song live. This was followed by a repeat performance encore with even more people joining us on stage! To hear it sung by so many diverse voices was beautiful. So much emotion! See video below.
In the 10 days since its public release on YouTube, the video has had over 1200 YouTube views. We’re aiming for at least 2000 YouTube views in its second week of release. Keep SHARING and helping to spread the healing balm and raise our awareness of this sad and significant chapter of Australia’s all-too-recent history. Here is the link to share it on YouTube.
Many thanks to Micah Projects, Lotus Place, Mick Davis (poet), Katrina Graham (director/producer), Linton Vivian (cinematographer), Tom Francis (editor), Katrine McLeod (art direction), Emma Spencer (co-producer) for your wonderful contributions of time, expertise and heart. We are very grateful and honoured to have been involved in this project.
To the Forgotten Australians and Former Child Migrants to whom the song and video is dedicated, both those survivors today and those who have passed on, thank you for inspiring us with your incredible resilience and courage.
Here are some comments we’ve received from these very people:
“How beautiful and very fitting. Many would respond with Yes they have forgotten us. I will share and try and urge to have it played at the NSW Forgotten Apology Day this week at the Botanical Gardens.
As a Ward of 8 placements and a further 3 institutions. over 11 years physical, mental and sexual abuse from 8 years old. it is a crime beyond repair. I have prayed to die at a young age. It is the Governments that need to hear these words. I have asked Wattle Place, the providers through Relationships Australia to play it at our meeting at the botanical gardens in Sydney on Wednesday, when we reflect on those brothers and sisters in care who have passed on either naturally or committed suicide. as an Advocate I will fill every crevice on social media that I am able.
Kind Regards E.B.” 14 November 2016
“As a former child migrant, I was deeply moved by the sentiment expressed by Cath & Jay in this song. Their sincerity and emotive response to the pain and hurt we experienced as children in care following our arrival in WA provided a healing balm to quell the pain many of us still feel. A sincere thank you from me. Godfrey Gilmour, Child Migrant 1953” 14 November 2015
“Today was the first time I heard the song ‘Have you Forgotten Me?’ and I can honestly say it was beautifully sung. I enjoy the lyrics; appropriate for the 18th of November. I grew up in Renwick (Mittagong) and Glebe (Sydney) orphanages from 1969 to 1982 with 29 placements all of different homes and foster care.
Your lyrics and singing will continue to uplift my soul and as I listen, I know I am not alone and that someone cares enough to share the love. Thank you whole-heartedly for touching my life in more ways than you can imagine.
With warm regards, Robyn Ellis” 15 November 2016
“For the protection of children is the sacred duty of us all.” – former PM Kevin Rudd’s National Apology to the Forgotten Australians and Former Child Migrants. LEST WE FORGET!
WATCH ON YOUTUBE: “Have You Forgotten Me?” music video
Mundy-Turner is very excited and proud to announce the upcoming release of our new music video commissioned by Micah Projects of our song “Have You Forgotten Me?”, written in collaboration with Mick Davis.
This is the first time we’ve had a film made of one of our songs. It was a great privilege to work with award-winning film-maker Katrina Irawati Graham as director/producer, cinematographer Linton Vivian, art director Katrine McLeod, co-producer Emma Spencer and film-editor Tom Francis.
The video is being released online in the week on the 7th anniversary of the National Apology to the Forgotten Australians & Former Child Migrants, 16 November 2016.
The official launch & screening of “Have You Forgotten Me?” will be Friday evening 18 November, 7pm at the State Library of Queensland’s Edge Auditorium, South Bank, Brisbane, in a special event presented by Micah Projects to mark the 7th Anniversary of the National Apology to the Forgotten Australians & Former Child Migrants.
Forgotten Australians are the more than 500,000 children who were raised in institutions and out-of-home ‘care’ during the 20th century. Invariably, these children were traumatised by the abusive treatment they received in these places. As the song says, we pray that “no child need ask again – ‘have you forgotten me?'”
DVD copies of the music video will be presented to Forgotten Australians as a tribute to their long struggle for recognition and acknowledgement.
The launch will also feature Forgotten Australians from Brisbane’s Lotus Place joining Mundy-Turner and With One Voice Brisbane choir in a live performance of “Have You Forgotten Me?”; a fitting and moving finale to this year’s Anniversary event.
The video is now released online via YouTube and Vimeo. YOU can get involved in sharing the video to your networks by joining our video Release team.
Just share this YouTube link: https://youtu.be/jItIxwmtsDk
We are very grateful to Micah Projects for funding the project to create this poignant piece to raise awareness about this significant chapter of Australia’s history.
FOR INTERVIEWS & FURTHER INFORMATION, please contact:
* Micah Projects – Adele Renwick: 0408 736 519 / email@example.com
* Mundy-Turner – Cath Mundy & Jay Turner: 0424 127 580 / 0405 974 561 / firstname.lastname@example.org / http://mundyturner.com
WATCH ON YOUTUBE: “Have You Forgotten Me?” music video
November 16 is a significant date for many survivors of child abuse in Australia’s out-of-home-care system. It is the anniversary of the National Apology to the Forgotten Australians and Former British Child Migrants, made in 2009 by then Prime Minister Kevin Rudd; our nation’s formal acknowledgement of the suffering of children, that occurred in our care-system up until the 1990s.
To mark the upcoming seventh anniversary of the National Apology, Micah Projects and Australian singer/songwriter duo Mundy-Turner are launching a brand new music video entitled “Have You Forgotten Me?”.
The video features Mundy-Turner performing a song especially written and recorded for Forgotten Australians and Former Child Migrants: children and young people who suffered sexual, physical and emotional abuse at the hands of so-called ‘carers’ in government-sanctioned institutional or other out-of-home care during the 20th century.
The video has been released online during the week of the anniversary of the National Apology, Wednesday 16 November.
The recent tragic murder of 12 year-old Tialeigh Palmer whilst ‘in care’ yet again highlights how important it is for the Australian and State Governments to adequately fund the close monitoring of the safety of vulnerable children within its welfare system and continue to support to those who have experienced the out-of-home-care system.
The problem isn’t new. For over one hundred years, between 1876 and 1996, more than 500, 000 children have been identified as having experienced institutional abuse in the care system.
Add to this Australia’s disturbing current immigration policy, where young children are kept incarcerated for unlimited periods in often-dangerous situations on and offshore, and it becomes easy to make a case that government-sanctioned child-abuse is shamefully not yet a thing of the past.
Former Prime Minister Rudd made two National Apologies: in 2007 to the Stolen Generations of Australian Aborigines and, on 16 November 2009, one to the Forgotten Australians and Former British Child Migrants.
Unfortunately, this second National Apology is often confused with the first. A large proportion of the Australian public still remain ignorant of the stories of those who experienced child abuse in an institutional setting, unaware of this sad and significant chapter of our national story. It is heartening, however, that the current government has recently announced the establishment of a National Redress Scheme, as recommended by the Royal Commission into Institutional Responses to Child Sex Abuse.
Micah Project’s poignant music video, directed by award-winning film-maker Katrina Irawati Graham, is aimed at raising awareness about the current plight of adults who experienced institutional child abuse and the ever-present spectre of inadequate child protection within our government’s jurisdiction.
MUSIC VIDEO LAUNCH & ANNIVERSARY CONCERT: FRIDAY 18 NOVEMBER
The official launch & screening of “Have You Forgotten Me?” will be Friday evening 18 November, 7pm at the State Library of Queensland’s Edge Auditorium, as part of the Songs of Justice National Apology Anniversary concert, presented by Micah Projects.
DVD copies of the music video will be presented to Forgotten Australians as a tribute to their long struggle for recognition and acknowledgement.
The launch will also feature Forgotten Australians from Brisbane’s Lotus Place joining Mundy-Turner and With One Voice Brisbane choir in a live performance of “Have You Forgotten Me?”; a fitting and moving finale to this year’s Anniversary event.
All are encouraged to join the Release team for the video to help spread the healing and awareness. Just SHARE the video with your networks, using this YouTube link: https://youtu.be/jItIxwmtsDk
FOR INTERVIEWS & FURTHER INFORMATION, please contact:
* Micah Projects – Adele Renwick: 0408 736 519 / email@example.com
* Mundy-Turner – Cath Mundy & Jay Turner: 0424 127 580 / 0405 974 561 / firstname.lastname@example.org / http://mundyturner.com
Two Mundy-Turner gigs in SE QLD this week coming:
* Tuesday 1 November @ The BUG (Brisbane Unplugged Gigs , New Farm Bowls Club, Brisbane
Show starts 7:30 with 3 blackboard performances, Mundy-Turner from 8:15-9pm, then The Mulberry Collective till 10pm.
Entry is $10 or $7 concession.
New Farm Bowls Club is on Brunswick St opposite New Farm Park. It has a great atmosphere, food at reasonable prices, good parking, public transport, a bar and a kitchen open till 8.30pm.
* Sunday 6 November @ FOLK REDLANDS, 17 Runnymede Rd, Capalaba, FREE PERFORMANCE AND WORKSHOP
1pm Blackboard performers welcome
2-3pm Instant Choir harmony singing with Mundy-Turner
3-4pm Mundy-Turner performance
Mundy-Turner are touring the Atherton Tablelands, Far North Queensland, for a series of playshops and concerts for the 2016 Tablelands Folk Festival and related events, during October 2016. See below for dates and details.
Sunday October 16
Taste of the Tablelands – Atherton 2×30 minute sets @ 12 noon and 2 pm
Venue: Chinese Temple, Main Street, Atherton
Contact: Nick Watling 4091 4455
Tuesday October 18
Instant Choir Playshop from 7-9pm
Bella Cappella and Atherton Performing Arts singers
Stan Moses Hall, Vernon Street, Atherton
Contact: Christina: 40915409 or Jacqui: 4091 2542
Wednesday October 19
Malanda Primary School
Instant Choir Playshop from 9 am till 11 am
24 Mary St, Malanda
Thursday October 20
Herberton CIA (Community Inter Action)
Instant Choir Playshop from 4 pm till 6 pm
Holy Trinity Church, Broadway Street, Herberton
Contact: Dianne Gates: 4096 2821
Thursday October 20 – Talbleands Folk Festival, Herberton
The Herberton Concert as part of the 2016 Tablelands Folk Festival
Royal Hotel Herberton, 46-48 Grace St, Herberton
4 acts on the program from 7 pm till 11 pm
Mundy-Turner 8 pm – 45 minute set
Saturday October 22 – Tablelands Folk Festival, Yungaburra
12.30 pm Community Hall – Instant Choir Playshops Combined Choir – 20 minutes
3.30 pm Garden Stage – 45 minute set
9 pm Pub Ballroom – 45 minute set
Sunday October 23 – Tablelands Folk Festival, Yungaburra
11 am St Mark’s Church – song-writing workshop (60 mins)
3 pm Pub Ballroom – 45 minute set
6 pm Volunteers Party – Pub Ballroom (optional)
Check out the new videos on Mundy-Turner’s YouTube channel! Recorded at our 19 March 2016 performance Live at Logan Art Gallery, with videography by Pascal Burger & team and sound recording by PSB Audio, there is a video playlist of the 11 songs in order of the live performance set. Enjoy M-T faves plus new songs!
Remember to SUBSCRIBE to our YouTube channel. Thank You!
FREE CONCERT at Logan Art Gallery! Sat 19 March, 2-3pm followed by arvo tea.
Join Cath Mundy & Jay Turner as they take you on a journey through songs from their swag of original folk-roots albums, their rock ‘n’ roll musical “Billy Buckett” and the recent Qld Music Festival “Under This Sky – Logan’s Musical Celebration”. Mundy-Turner’s CDs will be on sale. Afternoon tea is provided. Please RSVP for catering purposes by phoning 07 3412 5426.
Logan Art Gallery: corner of Jacaranda Avenue and Wembley Rd, Logan Central
“The Logan Project”, a 2-part tv documentary about “Under This Sky”, the BIG show which Jay & Cath worked on for a large chunk of last year, aired on 26 Jan 2016 to hugely positive reviews from critics, media and general public.
It is available to watch online here for another month from 26 Jan 2016: http://www.sbs.com.au/programs/the-logan-project/article/2015/12/11/logan-project-watch-part-1-and-2
The doco was produced/directed by the talented Rani Chaleyer and follows the behind-the-scenes stories of several participants of the Qld Music Festival mega community production “Under This Sky”, a show which celebrated our community of Logan with 700 performers taking to the stage with a work created by and for our community, steered beautifully by QMF producer Tara Hobbs, Creative Director Sean Mee, Writer David Burton, Music Director Morganics and overseen by Artistic Director James Morrison.
Watching it reminds us again how very honoured we were and are to have played a role in this cultural undertaking of such gigantic proportions and heart! So proud of Logan!
Thank you QMF for coming to our community and inviting us to re-shape the narrative of this place through music, theatre, dance and go-karts!
The perfectly-timed full moon rose in the glorious clear winter skies, shining on a one-off, original production, described by audience members as “remarkable”, “astounding” and “epic”. After months of intense work on the part of the creative and technical team, headed by Producer Tara Hobbs, Creative Director Sean Mee and Writer David Burton, the spectacular performing arts event UNDER THIS SKY, shown 31 July-2 August at Logan Brothers Rugby field, was an unqualified success.
The production celebrated the extraordinary community spirit of the City of Logan which we have called home for 8 years now. Logan, between the Gold Coast to the south, Brisbane to the north and the Scenic Rim to the west, is a place that has been much-aligned by a press focussed on negative stereotypes, giving little attention to the broader and yet more intimate story of people from 205 different ethnic groups living together in harmony and the overflowing creativity and talent inherent here.
Spear-headed by Artistic Director James Morrison, the 90-minute show involved 600 performers ranging from opera-singers to rap-artists, hip-hop dancers to stunt go-kart drivers, plus 20-voiced All-Stars choir, 160-voiced Massed Community Choir, 80-voiced Children’s Choir, numerous solo singers, 70-piece orchestra under the baton of Shaun Dorney, a hot 5-piece band, a live DJ (DJ Bacon) mixing it up with Musical Director and MC Morganics.
Telling the story of a ‘Day In The Life Of Logan’, the play was cleverly staged by Sean Mee in an existing park beside the Logan Brothers Rugby grounds, especially landscaped by Logan City Council with terraced stages for the show.
The all-original score traversed diverse musical styles from rap to soul to opera, while all the songs were generated by the creative community of Logan. This was a Qld Music Festival ‘first’ for this type of community project, where normally the QMF commissions a composer to write all the music for the show. In this case, Logan had the talent to create the musical assets from scratch. No mean feat!
UNDER THIS SKY brought together our incredibly diverse community in a way that only the performing arts can and uplifted us all beyond the limits of the sky. It was surely Logan at its most beautiful – we are so proud & honoured to have been part of Under This Sky.
#underthissky #logan2015 #cityoflogan #qldmusicfest
BLOG by Mia Cobbin featuring behind-the-scenes photos: http://qmf.org.au/under-this-sky-blog/ Under This Sky Blog by Mia Cobbin
BLOG by Joanna Funk: Behind-the-scenes insight into the UTS experience by the only melodica player in the orchestra! Joanna Funk’s Blog
ARTICLE: The Age, 22 August 2015. “Can a musical spectacular staged on a footy field bind a community riven by racial disharmony and disadvantage? Frank Robson visits Queensland’s Logan City to find out.”
Read more: http://www.theage.com.au/good-weekend/logan-citys-exorcism-of-a-troubled-past-20150810-givhe3.html#ixzz3k4KvNxTj
Follow us: @theage on Twitter | theageAustralia on Facebook
ARTICLE: The Reporter, 6 August 2015 Record Crowds Turned Out to See Logan’s Story Hit The Stage
ARTICLE: SBS world news (sadly the video of the TV article is no longer online, only the readable version)
REVIEW: The Australian 3 August 2015 by Martin Buzacott. The Australian – Logan Songs Lift Under This Sky
Mr Buzacott’s review is positive but not entirely accurate (we had 15,000 over the three nights) or sensible (how could the songs be the highlight of the show if the vocal delivery of them didn’t meet its mark? The singing & sound was, by ALL accounts from audience members, really top-quality!) but on the whole a very nice review. And very good for Jay and his fellow band members to be mentioned by name.
My fave quote: “…it was the songs…that really drove this engaging celebration of all that’s to be appreciated under the convenient almost-full moon of a Logan sky.
It helped that the house band – consisting of Sam, Sebastian & Lole Tuuga, Jay Turner, Liam Madden and DJ Bacon – was a gem, igniting the place when playing reggae and segueing seamlessly into everything from soul-funk to Pachelbel’s Canon and on to the Tennessee Waltz.”
Mundy-Turner’s began work on the project in January 2015. This intensified during the last 4 months leading into the early August performance, seeing Cath take a break from running one of her regular choirs in order to accommodate the extra stress on her schedule.
Cath was contracted to work as Choral Conductor/Arranger. This role saw Cath forming and conducting the especially-auditioned 20-voice “All-Stars” house-choir who performed vocals throughout the show, several small vocal ensembles and directing the 180-voiced massed community choir (including 80 children) for the 3-song Finale. Cath’s job included writing/overseeing the choral and vocal arrangements of the entire UTS vocal score.
Jay worked as Assistant Choral Director as well as playing Electric Guitar, Mandolin and 6-string tenor ukulele in the UTS House-Band, alongside the purpose-built 80-piece community orchestra under the baton of Shaun Dorney.
Both Jay & Cath were busy as contributing composers/songwriters and members of the music-development team.
Jay’s song ‘Get There From Here’ (from our album ‘High Life’, with new lyrics written by Jay especially for the show) was the celebratory closing number of the event.
Cath’s choral piece ‘Children Of The Universe’ was performed by the All-Stars Vocal Ensemble, the 80-voice children’s choir, beat-boxer Morganics and the UTS House-Band.
Jay & Cath also collaborated to create, develop and arrange many other pieces in the show, including rock-epic ‘Waking Up This City’ and a new arrangement of the Australian National Anthem in the local indigenous Yugambeh language ‘Wandah! Jageegan Jagun (Rise up! Beautiful Country)’. Cath played live keyboard to accompany young singers Tiarna Gibbons (12 yo) and Manu Fabila-Hicks (18yo) as they presented the Anthem in duet.
Cath’s mum worked tirelessly behind the scenes to support Jay & Cath in looking after their 8 year old son throughout the project. Thank you so much Barbara – none of this would have been possible without you!!
The show was reviewed in The Australian arts section and also covered on SBS World news (Cath was prominent in her red top & white gloves dancing around in front of the choirs!) and there is a 2-part TV documentary about the show made by SBS, to be aired in November.
We were exhausted by the end of it but happily so – what a dream project! To work locally with a creative team of international calibre on a new show so totally unique and relevant to who we are as a community. UTS was an empowering experience never to be forgotten by all who participated.
Things are hotting up! Casting offers have recently gone out to the many talented performers and choirs who auditioned for the Qld Music Festival’s newly-titled large-scale production “UNDER THIS SKY – LOGAN’S MUSICAL CELEBRATION”. I am really looking forward to working with all the singers and choirs.
Jay is honoured to have been asked to join the Band, with Samoan 3-piece funk outfit Bass 6, headed by awesome keyboard player Sam Tuuga. Orchestra rehearsals are now also in full-swing. Landscaping of the huge staging area at the side of Logan Brother’s Rugby field is also very much underway – last week, we saw the beautiful stone terraces are done and turf laid.
And it is very cool that SBS are making a 3-part TV documentary about the show! Thrilled that Australia is going to see what we have to offer here in Logan – amazing talent, generosity, positivity and a glorious community spirit. #logan2015 #cityoflogan #qldmusicfest
The Queensland Music Festival, under the Artistic Directorship of renowned Australian musician James Morrison, is celebrating our community, Logan, in its next big show, and Mundy-Turner is very excited to be part of the creative team working on the production.
Logan will be under the spotlight for three nights (31 July -2 August 2015) at Logan Brothers Football field, Logan Central) in an large-scale outdoor performance extravaganza of original music, theatre, dance, drama – written with, for and about our community.
Cath has signed the contract for the role of Choral Conductor, working with around 15 different singing groups which will culminate in a huge massed choir experience.
We are also both engaged in the development of the 90-minute show’s original music score, workshopping/writing songs and instrumentals with members of the show’s Creative Team. Jay has been writing and recording demos like no-body’s business!!
The QMF Logan creative team includes Sean Mee (Director), David Burton (Writer/Assistant Director), Tara Hobbs (Producer), Morganics (Musical Director), Shaun Dorney (Orchestra Conductor and Arranger) and Neridah Waters (Choreographer) and Josh McIntosh (designer).
So South-East Queenslanders – 31 July, 1 Aug, 2 Aug!! Mark it in your diary and be there at Logan Brothers Football field to witness an artistic spectacle like no other and something which we believe will be more than a little bit magical: our lovely City of Logan Like You’ve Never Experienced It!! #qldmusicfest #Logan2015
Auditions are being held in late March 2015 for orchestra/musicians, actors and singers to perform in the show. See article below for more details.
Our original song Refugee (Have Mercy) is the theme song for the beautiful and heartfelt art action “Walking Borders”, a project that is bringing awareness to the plight of asylum seekers during the upcoming G20 gathering in Brisbane.
YOUTUBE MUSIC VIDEO: View our specially-filmed live performance of Refugee (Have Mercy) for Walking Borders with our 80+ voice massed choir of members from Freedom Train, Mixed Beans and With One Voice Brisbane choirs: “Refugee (Have Mercy)” for Walking Borders
Walking Borders participants will be walking a relay around the G20 security-exclusion border of the Brisbane CBD in support of the rights and humane treatment of asylum seekers in Australia and worldwide. Along the border, they are leaving small paper boats hand-made for the project, as a poignant reminder of the fragility and vulnerability of those who come seeking refuge by boat.
The song will be sung by a massed group on Sat 15 November during the G20 conference, as a flotilla of paper boats is released along the Brisbane River at South Bank. Everyone is welcome to join us on this day to sing the boats!!
For more details visit: walkingborders.net #WalkingG20
PLEASE SHARE the link to our YouTube music video: http://youtu.be/FbxJUL9uLxI – HELP SPREAD THE MUSIC & MESSAGE AROUND THE WORLD!!
Mundy-Turner were proud to perform a short acoustic set at the Logan Art Gallery on 7 June 2014 as part of the RADF* showcase of RADF grant recipients (Regional Arts Development Fund) in Logan City.
Logan City Council Councillor and RADF Chair Jennie Breene then presented us with the cheque for our grant of $8000 to complete the final development of the script and full score for BILLY BUCKETT – A ROCK ‘N’ ROLL LOVE STORY in preparation for publishing and the planned premiere professional-level production of the show in 2015.
Thank you to the RADF committee, Logan City Council & Arts Queensland and especially to Chelsi Foskett, RADF Officer for Logan City Council. We are so graetful that the arts is supported in our local region and are very proud to live in lovely Logan.
The Mundy-Turner Band’s first appearance at Maleny’s iconic Upfront Club http://www.upfrontclub.org/, up in the beautiful Sunshine Coast hinterland, was a delight. It may have been cold outside but our hearts were warm and full.
Not many bands have a drummer like Jono Filmer! We are so glad we do. Jono heard that the stage at the Upfront Club was small and that we wouldn’t have space for a full drum-kit. So he got online and bought a new STAND-UP drumkit by mail-order. The new drum kit was delivered to Jono in Logan late Friday arvo. On Sat arvo he learned to play it during a 4-hour jam session. He then took it to Maleny and performed a blistering 1 hour set in front of the Upfront audience on Saturday night.
As you see in the picture below, you have to STAND to play this drumkit. It is entirely different to a normal drum-kit and would take a lot of getting used to. But Jono, having only learned to play it that day, never (quite literally ;)) skipped a beat.
Our bass player Chris Powell also went shopping to help make the gig a success, buying a “sans amp” bass pedal, so we wouldn’t have to try to fit his large bass amp on the small stage. It sounded great! Thank you to Chris & Jono – your dedication to creating a quality sound is beyond compare.
THANK YOU to: the Upfront Club staff & organisers especially Danny the awesome sound engineer, Suzanne and Jeff for coming to see us play PLUS amazing hospitality and beautiful friendship (& their cosy kingside bed for the night), our 7-year old Joshua for being “on the team”, my beautiful mum Barbara for coming on the adventure and looking after Josh while we were busy.
More THANKS to the wonderful audience, especially friends and family who came to see us play – to my cousin Oriana and her family who came along to see us play from the Sunny Coast, Nadia & Ali and family from Albany down in Brisbane, Holly and family from Maleny (long time no see!)… It was a magic night.
Congrats to young RUBY who won the M-T ALBUM draw.
It’s taken us a few months (everyone’s been BUSY!) but finally the Mundy-Turner Band performed our first gig of 2014 on Sat 26 April, a rather hot autumn afternoon, at the COAST ACOUSTICS http://www.coastacoustics.com.au/at the Country Paradise Parklands, Nerang on the Gold Coast. It was our first visit to this music club. What a great welcome we received! We were impressed with the friendliness of the organisers Rob & Jackie Saunders and their dedicated band of volunteers who worked hard together to create an excellent experience for lovers of acoustic music. The quality of the blackboard performers was exceptional and it was so nice to be able to sit back with the lovely view of the green outside, relax with a brew and enjoy the music before our set.
Robert Hinton and Anton Chang, our friends from Beenleigh Neighbourhood Centre’s AV club were filming our set for what we hope will be useable live clips for YouTube.
Thank you very much to all at Coast Acoustics for an enjoyable day in your company and to all the blackboard performers who took to the stage to share your talents – just lovely. Congrats to LORNA who won the M-T ALBUM DRAW. To those wonderful peeps who came to see us play, huge THANKS! <3
Found on Folk Redlands Facebook page this nice little review: 26 April 2014: “Mundy-Turner Band appear on Sunday May 18 at our lovely Indigiscapes hall. We got a chance to see them them live this weekend. Folk Rock fantastic! They toured with Fairport Convention, no wonder. WHAT A SHOW!”
* Sun 6 SEPTEMBER: MUNDY-TURNER (duo) @ Logan River Jam
Father’s Day event at Logan River Parklands, Blackbird St, Beenleigh
Whole event runs 10am-3pm. Bring the family for a Father’s Day picnic in the lovely parklands. Enjoy performances by an array of performers. Mundy-Turner perform twice – 11:25-11:55am and 1:55-2:30pm. Our choir Freedom Train perform from 1:15-1:50. Eats & Beats food trucks will be there too if you don’t want to BYO!
- Gold Palm Award 2013: Billy Buckett – Beenleigh Theatre Group
- For the full article, visit http://billybuckett.com/
The Mundy-Turner Band was launched in style at the lovely Logan Art Gallery on Sat 23 November to a more-than-capacity crowd all eager to welcome the new band line-up, who performed Mundy-Turner’s all-original music for over an hour’s concert set.
Cath Mundy & Jay Turner’s usual duo line-up of fiddle, acoustic guitar, piano, percussion and vocals was artfully enhanced by the bass guitar of Chris Powell and the drumming of Jono Filmer.
The band rehearsed together several hours week in the months leading up to the launch and are looking forward future concerts to original music lovers in the locality and beyond.
Music in the Gallery: FREE CONCERT & ARVO TEA!
Sat 23 November, Logan Art Gallery, 2-3.30pm
Check out the debut gig of the new Mundy-Turner Band, as Cath & Jay (vocals, violin, piano, acoustic guitar, ukulele) perform original songs from their swag of seven albums joined by Chris Powell (bass guitar) and Jono Filmer (drumkit and backing vocals).
Enjoy your Mundy-Turner favourites enhanced by live full band arrangements in the delightful ambience of the art gallery.
WHAT: Music in the Gallery: FREE 1 hour concert by the Mundy-Turner Band, followed by arvo tea
We are extremely excited to announce that our rock ‘n’ roll musical BILLY BUCKETT has been nominated in TEN award categories in the Gold Coast Area Theatre Awards, including Outstanding Community Theatre Production.
Billy Buckett is also currently in the running for the Gold Palm award for the most nominated production across all categories.
Congratulations to ALL of our Bucketteers and to Beenleigh Theatre Group! These nominations are a reflection and an acknowledgement of how well the BB team worked together to make this show a success. We are ever so grateful to have had the opportunity to develop our musical with you. THANK YOU for being on the team and for being a Billy Buckett Believer.
The GCATA Presentation Night is 10 December 2013 at the Gold Coast Arts Centre, preceded by a Nominees Cocktail party on Tuesday 3 December also at the GC Arts Centre.
Our award categories and nominees are:
Best Set Design Ian Johnson
Best Costumes Marg Oliver
Best Sound Design/Operation Lana Kristensen & Jay Turner
Best Choreographer Hannah Crowther
Best Musical Director Jay Turner & Cath Mundy
Best Director of a Musical or Musical Revue Roslyn Johnson
Best Actor in a Supporting Role in a Community Theatre Musical Scott Young
Best Actress in a Supporting Role in a Community Theatre Musical Allison Nipperess
Best Actress in a Leading Role in a Community Theatre Musical Lauren Lee Innis-Youren
Outstanding Community Theatre Production
Chookas to all the nominees! And remember that whatever the outcome on the night, simply to have been nominated is a great achievement and recognition in itself.
The World Premiere full production of Jay Turner’s BILLY BUCKETT – A ROCK ‘N’ ROLL LOVE STORY at Beenleigh’s Crete Street Theatre was a huge success. The show sold out its entire season and broke several records for the Beenleigh Theatre Group.
At the Preview showing, the production received a joyful standing ovation – a Preview first for BTG – and has continued to received them from rapturous audiences at nearly every performance since.
Rave reviews have been coming in from theatre critics, writers and audience members. Audiences have well and truly caught the “Billy Buckett Buzz” and were clamouring for tickets for the final weekend, to the point that extra seating had to be added.
Due to various reasons, the premiere season could not be extended, but it is certain that as the creators sign up with UK publisher StageScripts, this is just the beginning for this new musical.
Tickets are now on sale and rehearsals are in full swing for Beenleigh Theatre Group’s World Premiere full production of Jay Turner’s rock ‘n’ roll musical BILLY BUCKETT – A Rock ‘n’ Roll Love Story. (Info billybuckett.com & Tickets beenleightheatregroup.com/booking/)
“Auditions took place in December & January. We now have a full cast of thirty-two actors, singers and dancers working their socks off on song and dance routines. Our 7-piece band started rehearsals months prior to casting – they are sounding hot. It’s been years of hard work putting it all together, but it’s a dream come true for Jay & me to see the show coming to fruition in this way,” Cath says.
Cath & Jay are co-writers, musical directors and directors, and are being supported and assisted by Award-Winning Director/Dramaturg Ros Johnson. “We’re so blessed we have a brilliant creative team working with us on every aspect of the production, from choreography, dramaturgy & direction, to lighting, sets, costumes, stage management, props & marketing. Making theatre is a very intensive activity – it just wouldn’t be possible without our fabulous team. We are grateful indeed.”
Jay is also enjoying the challenge of playing lead electric guitar in the band. “For years I’ve accommpanied myself as an acoustic guitarist – rhythm is my specialty. So playing electric lead for BILLY BUCKETT is pushing me into a completely different style – more along the lines of Hank Marvin in The Shadows. It’s a challenge but I’m loving it.”
Another exciting process has been the development of the BILLY BUCKETT logo.
Cath recounts: “A good friend of ours Rem Bruijn of Brainheart came on board to help us define & refine our concept, inspired by the iconic logos of the most well-known musicals in the world.”
“Rem then took these ideas to designer/art director Jesse Richardson of BlueGoo who came up with a number of logo/poster designs. But he’d picked the best one already and put it the top of his presentation for us to see first.”
“Jesse was spot on – it was THE ONE! The chrome, the deep blood-red and classic vintage car-badge image is so evocative of era. It reminds me of the British Mini. It’s just perfect for BILLY BUCKETT and we envisage the logo will travel with the musical wherever it’s produced.”
Exciting news! Our Brit rock n roll musical BILLY BUCKETT has been selected as one of 4 major theatre productions featured in BEENLEIGH THEATRE GROUP’s (BTG) 2013 Season, alongside Eurobeat, Fame & Oliver.
BILLY BUCKETT will be showing for 9 performances between opening night Friday 26 April 2013 to final night Saturday 11 May 2013 at BTG’s home, the lovely Crete Street Theatre, Beenleigh.
Complete with full set, period costume, light & sound and a talented cast performing the 5 leading roles, 5 supporting roles, 20 “Teddy Boys & Judies” chorus roles and a live-on-stage hot 6-piece rock band, the show is set to get the audience rockin’ out on a journey Small-Town Essex, UK, 1959.
Auditions for those wishing to be cast as leads, supports or chorus will be held on Sunday 2 December 2012 at the Crete Street Theatre.
For more information, please contact: email@example.com
We are honoured that Billy Buckett has been chosen for BTG’s 2013 season! 🙂
Thank you to Beenleigh Theatre Group for their enthusiasm and for investing in the development & full realisation of a new show.
Cath, Jay & their lil fella Joshua travelled to Vanuatu in June-July 2012 for their first mundyturner gig in Vanuatu. They were also there to help launch a new community choir, enjoy a family holiday and celebrate Cath’s birthday! Their wonderful hosts Bev & Nabil Anti at Village de Santo, treated the family to the most incredible time. Cath tells of their 13 day adventure…
“We adored our trip to Espiritu Santo, the largest of Vanuatu’s 83 islands and can’t wait to go back to explore more islands. Actually we wanted to move there – it’s such a beautiful place where the lifestyle is so relaxed and connected to community.
The biggest highlight for me was meeting the gentle and friendly people and experiencing their amazing culture and simple lifestyle. I loved learning the local songs. The Vanuatuan people made us feel so welcome – we felt like we have a family there now.
My birthday was celebrated with Jay & our son, Bev & Nabil on a tranquil private beach (see picture), eating freshly cooked to order Thai food, swimming, playing & relaxing, singing songs and strumming our ukuleles. A dream place to be.
In the evening we headed back to Restuarant 1606, Village de Santo, where we danced with the Snake Men of Mota Lava, sang with the 1606 String Band and then jammed until late at night with these fantastic musicians. It was truly a day of joy!
The next day the celebrations went on at a nearby ‘kastom village’ where “Happy Birthday To You Cathy” was performed by the amazing local Water-Music troupe and I was given some beautiful hand-crafted gifts. The generosity of the people was overwhelming”
Cath & Jay also ran three harmony-singing workshops. Two workshops were held in Luganville’s Northern Youth Centre to help kick-start a new community choir with a special mission – to bring Ni Vanuatuan people together with the ‘ex-patriot’ community to sing and connect with each other. This culminated in a debut performance by the new choir – working title Santo Voices – at mundyturner’s Village de Santo concert on 6 July.
The other singing workshop brought together children from local Mango Anglican Church and visiting teens from St Pal’s Anglican College, Brisbane for an hour of song and movement.
“I started teaching the children from these two countries a song to sing together, thinking one song would be enough and they’d want to finish after that. They just demanded to keep singing, Aussies & Vanuatuans alike!! I ended up keeping on teaching them rounds and harmony songs for another hour! And they sounded so beautiful.”
Congratulations to the very talented cast & crew of Phoenix Ensemble’s rehearsed reading of Jay Turner’s Brit-rock-n-roll musical BILLY BUCKETT which showed at the Pavilion Theatre, Beenleigh, on 27-28 April.
What was achieved in eight short rehearsals was nothing short of amazing!! It was far more than a reading where the actors normally sit on their bums and do exactly that – read. The cast moved, interacted, sang and danced and embodied their characters, bringing the story to life, with scripts in hand. Bold, brave and no mean feat.
The audiences had a ball and gave very valuable feedback, both written and oral, after the shows. Thanks to this experience, Jay & Cath as the writers have been able to further refine the script and their vision for the full production, which hopefully will come to fruition in the not too distant future. Watch this space! More pics below…
Special Thanks to:
* Heather Scott for her hands-on help with everything from casting to publicity and production matters
* The cast: Scott Johnson (Billy B.), Kate Doohan (Janette Burns), Big Ted (Joel Mikkelsen), Bec Hundy (Maureen), Jack Henry (Arthur Burns), Deb Taylor (Helen Burns), Hannah Crowther (Betty), Lachlan Clark (Marty), Brea Robertson (Shirley), Scott Young (Brian), Briana Thompson (Doo-wop girl), Courtney Taylor (Doo-wop girl).
* The production team & crew: Lou Thompson (Lighting), Blake Russell & Renee Welland (Follow-spots), Cath Mundy (Director), Jay Turner (Musical Director/Sound Design & operator).
* John Burton for filming the dress rehearsal, and two performances.
* Celia Powell for taking still-shots of the performance
* Phoenix Ensemble Board of Directors for putting their faith in “Billy Buckett” and investing the development of a new work.
Phoenix Ensemble is producing the exciting first public showing/rehearsed reading of the new BILLY BUCKETT – Jay Turner’s original British rock n roll musical.
The talented cast of actor/singers is preparing to whirl the audience back in time to small-town Essex, England, 1959, to the colourful era of bobby-soxers and teddy-boys, just as the world was awakening to the teenage revolution and the music that drove it wild – rock n roll!
As a rehearsed reading, the cast will be acting and singing with scripts in hand. The audience will be invited to give written feedback and take part in open discussion with the writers and cast at the end of each performance.
Book now for the two shows 27-28 April, 7:30pm @ Pavilion Theatre, James St, Beenleigh Showgrounds, Beenleigh. Tickets are $10 (non-members) and free to Phoenix members. http://www.phoenixensemble.com.au/bookings
The story follows 19-year-old mechanic Billy Buckett, who oozes musical talent, rock n roll charisma and a couldn’t-care-less cool. Orphaned during the Blitz, the wanna-be pop idol yearns to swap his overalls for the fantasy life of “fame, fortune & mass adoration”, but his soul is crying out for the love and acceptance he has been denied all his life.
When Billy falls in love with the vivacious & beautiful Janette Burns – daughter of Arthur Burns, Billy’s powerful boss – he finally finds someone who truly understands and believes in him. At first Jan & Billy keep their relationship hidden from Arthur, but when the secret slips, the consequences are devastating. Billy fights back the only way he knows how – through rock n roll. But can he find the happiness he craves? Not if Arthur Burns can help it.
Directed & musically directed by Cath Mundy & Jay Turner, “Billy Buckett” is filled with fun & fabulous songs, laced with drama, pathos and a delightfully daffy British sense of humour.
Book your seat now to be part of musical theatre history!! Phoenix Ensemble Bookings
Sad to announce that after all the hard work of setting up a beautiful 3-month tour of the UK for May-Aug 2012, we have decided to cancel. It came time to buy the flights and the maths were just not adding up, mainly due to strong Oz $ to weak UK pound making it difficult to pay off 4 flights bought in Aussie $ with UK earnings.
To those wonderful clubs & venues who booked the duo, we are extremely grateful for your support and understanding and very sorry to not be coming after all.
To our friends/fans and family who we were so looking forward to seeing: we miss you.
Our son is very disappointed not to be coming to see where he was born.
Our love to you all. Hope to see you again at a more optimal time. xoxo
Thanks to those who sent us your great comments on the new website! The first commenter is Sylvia Allen, UK who wins a FREE mundyturner ALBUM.
Sylvia, please contact us so we can send you your prize (your email bounced).
How to Leave A Comment and View Other Comments:
Click on the TITLE of the article or item upon which you’d like to comment. That will open up the comment box and display other comments that have been made. Comment away! Have fun!
Whoo-hooo! We are thrilled to announce that mundyturner’s new website is open for business.
To celebrate, we are offering a FREE mundyturner ALBUM to the first person who sends us a great comment using the website.
Have fun exploring! You can watch heaps of cool videos of live festival performances on the MEDIA GALLERY and buy our cds direct in our SHOP. Read our recent articles on the BLOG.
Link to our new YouTube channel and our other pages on iTunes, Facebook, CD Baby, Last FM (mundyturner radio), etc…
And remember to enter your comments – let us know what you think.
Many thanks to Ian Mackenzie of Trade Allies for his awesome work making the new site.
Cath & Jay’s community choir Freedom Train staged their annual mid-year concert – Winter Grace – in the lovely Venue at Talbarra on 7/8/2011; a beaut day of joyful music-making and laughter.
Freedom Train “sang grace” (with the ebullient guidance of conductor Cath), and celebrated three years of choir-dom, giving thanks for the choir’s treasured supporters, particularly their rehearsal venue sponsor, Talbarra RSL Care.
The concert featured two sets by the choir, plus guest spots by the Logan Ukulele Club (of whom Jay & Cath are members), the Young Stars of Skyline Guitar Studio (Jay’s new young guitar students) and mundyturner rocking out with a version of Wreck Out of My Heart from Jay’s original rock’n’roll musical “Billy Buckett”….
Read the full concert report on Freedom Train’s news page.
See the Winter Grace Concert Photo Album here, by photographer Anton Thompson.
NEWS: WORLD PREMIERE PRODUCTION @ CRETE STREET THEATRE, BEENLEIGH THEATRE GROUP, 26 April- 11 May 2013
- 01 Winter Winds
- 02 We Can Fly to Heaven
- 03 Unfinished Business
- 04 Mrs McGrath
- 05 Tweedling / Ha’Penny Tweedle
- 06 Ship of Hope
- 07 Searing Serenity / Magic Mike
- 08 Morjiana, Gypsy Queen
- 09 Stealing My Democracy
- 10 A Bush Christening / Maginnis Whisky
- 11 Freedom on the Wallaby
- 12 Clancy of the Overflowr
- 13 Naked (bonus track)
- 01 Wayne Wants A Surfboard For Christmas
- 02 Angels We Have Heard On High
- 03 Aussie Jingle Bells
- 04 Deck The Sheds
- 05 Christmas Road
- 06 Gunumeleng
- 07 Aussie Twelve Days Of Christmas
- 08 Homefires
- 09 Peace Is All We Need
- 10 We Wish You A Merry Christmas
Yes we are planning a UK tour for Summer 2012!! Rockin!! Tour dates will be posted soon…
Our “Songwriters Confess” mini-tour of Brisbane City Council libraries in May was a series of highly enjoyable unplugged sets.
We played libraries at Coopers Plains (4 May 2011), Banyo (Wed 11 May), and Toowong (Mon 16 May).
Chatting informally and inviting our audience to be involved in singing, percussion and discussion was a real delight. The fact that there were many children there with their parents made it extra fun.
Here’s some audience feedback: “Recently we attended one of the “Live in the Library” series at Toowong Library, with Mundy-Turner performing. I wanted to let you know how much we enjoyed it, both my own family, and the other families around me. Their performance was enriching in so many ways – their musical & vocal skills were apparent, and it was so great for my kids to see accomplished performers live and up-close.”
“I personally loved hearing of the story behind each song, and I was not the only one with tears in my eyes as they told stories through words and music. I especially loved hearing Catherine’s Australian accent shining through in her singing – so good to hear her pride in her heritage.”
“My kids and I talked about the performance over the next few days, and my daughter was still humming one of their tunes a week or so after the performance. Thank you for providing the opportunity for us to experience this for free, and in our local library. We would definitely attend again if there are future Live In the Library performances…and most especially if it is Mundy-Turner – it was a highlight of our week :)”
Many thanks to the Live in the Libraries series’ producer Janelle Colquhoun of Salubrious Productions and to Brisbane City Council Libraries for having us! And thanks to Suzanne- a fabulous, dancing audience member – for the photo.
- 01 Crooked House
- 02 The Transportation of Sarah
- 03 The Quivering
- 04 Rainmakers
- 05 Smiling at Shadows
- 06 Azure & Turquoise
- 07 Markham Main
- 08 Maid Out In The Fields
- 09 Leaving Season
- 10 Refugee (Have Mercy)
- 11 Shine On Me
- 12 Holy Road
- 13 The Banks Of The Nile
- 01 We’ve Got People
- 02 In Your Rain
- 03 Good Evening & G’Day!
- 04 Katoomba-Deh
- 05 Growing Up In Brissie
- 06 Walking The William Jolly
- 07 Glasgow Encore
- 08 Kookaburra!
- 09 Six Of These Blighters
- 10 Naked
- 11 Jayology
- 12 The Women Who Have Learned Not To Cry
- 13 Little Birds
- 14 Owen The Waiter
- 15 High-Life
- 16 Greasy Fingers
- 17 Somethin’s Cookin’ in the Kitchen of Rock & Roll
- 18 Boshko & Admira
- 19 Sarajevo Waltz
- 20 Love & Public Transport
- 21 Separation Street
- 22 Story Of A Woman
- 23 The Arms of Love
- 01 Tan-y-Llyn
- 02 Naked
- 03 Walking The William Jolly
- 04 Georgia, A Ladder To The Sky
- 05 A Hot Day
- 06 Wilderland
- 07 This Town
- 08 Riverman
- 09 Separation Street
- 10 Fearful Heart
- 11 Jayology
- 12 Working The Fields
- 13 Katoomba-Deh
- 14 You’re No Angel
- 01 Get There From Here
- 02 Sarajevo Waltz
- 03 Little Birds
- 04 Come Take My Hand
- 05 Dreamtime
- 06 Water, Carry Me
- 07 High Life
- 08 Love Like This
- 09 Storm Season
- 10 Frangipani Girl
- 11 Prelude / In Your Rain
- 12 Start My Day
- 01 Somethin’s Cookin’ (In the Kitchen of Rock’n’ Roll)
- 02 In Your Rain
- 03 Jennifer
Disc A: PASSION ROULETTE
- 01 Mind Over Matters Blues
- 02 Mountains & Mist
- 03 Passion Roulette
- 04 Dreamtime
- 05 River Of Love
- 06 Marie In The Corner
- 07 Burning Brazil
- 08 Boxing Clever
- 09 Dirty Money
- 10 Restless
Disc B: MOVEMENTS IN ARCHITECTURE
- 01 Movements In Architecture
- 02 No Man’s Land
- 03 My Grandfather’s Eyes
- 04 Maybe Tonight
- 05 Goodbye, Small Town America
- 06 Wreck Out Of My Heart
- 07 Johnny Polish
- 08 Don’t Give Me Romance
- 09 Trouble
- 10 Cambodia
- 11 Swim Against The Tide
Disc C: ATMAVICTU
- 01 On T.V.
- 02 Everything’s OK
- 03 The Cod & The Caplin
- 04 Brighton Movies
- 05 Walkin’
- 06 A Night On The Town
- 07 Crazy Over You
- 08 Ghost Dancing
- 09 Letter To Amber
- 10 Love Millionaire
- 11 Truly Beautiful
- 12 The First Day of Spring
Disc D: SKETCHBOOK
- 01 Out of Africa
- 02 Rhythm Of The Universe
- 03 Darktown Road
- 04 Arms Of Love
- 05 The Last ‘Patriot’
- 06 My Dad Says
- 07 The Girl Who’s Waiting Home For Me
- 08 Wrong Side Of Heaven
- 09 Writing For Freedom
- 10 Portobello Nights
- 11 Feather On The Wind
- 12 Lullaby For Zoe
- 13 Wild, Wild Willy
- 14 Everyday Heroes
- 15 Diamonds In The Dust
- 16 We Are The Future
BRINGING JAY TWELVE-THOUSAND MILES TO MEET…
When UK singer-songwriter Jay Turner left his native shores for a 4-month solo tour of Australia and New Zealand in January 1995, he never dreamed his life would be so dramatically altered.
Whilst playing at Victoria’s Port Fairy Folk Festival in March that year, Jay met Brisbane-based singer-songwriter Catherine Mundy backstage after seeing her perform in acclaimed acappella trio, Sister Moon Ensemble.
“I was mightily impressed by Sister Moon’s show and instantly recognised a common passion and commitment in both our approaches to songwriting and live performance, ” recounts Jay.
During lively conversations and late-night vocal jam sessions at the National Folk Festival in Canberra a month later, Jay also discovered that Catherine played piano, violin, and shared his love of theatre. Their friendship and mutual admiration was developing apace.
“Jay’s songs stayed with me for long after I heard him in concert at the festival. I found I couldn’t stop harmonising to them in my head!”
FOUNDING OF A NEW MUSICAL ENTITY…
By July 1995 these newly discovered ‘soul mates’ were together in Brisbane, co-composing and demo-taping songs. As Sister Moon’s work was coming to its agreed end, it seemed a natural step for the pair to form a vocal-instrumental duo.
“We decided that Mundy-Turner’s repertoire would be completely original. Our focus was the uniting of two songwriters who come from radically diverse musical and geographical backgrounds. We liked the ‘Zen’ idea of the Yin and the Yang, male and female, different yet equal, balancing each other and creating an entity greater than its component parts.”
In October 1995 Cath and Jay were offered the fabulous opportunity to take part in an inspirational gospel-singing tour of African-American churches in the Southern States of the USA, led by singer-conductor-composer & gospel-acappella guru Tony Backhouse. More songwriting took place culminating in Cath & Jay’s first official recording together, live at the legendary Sun Studio, Memphis.
The next month Cath joined Jay in New Zealand for his final tour as a solo artist, adding her distinctive harmonies and violin-playing to his songs, plus “previewing” some of their new co-penned material. The duo was gradually taking shape.
WEDDING, WOODFORD & THE FAR NORTH…
Back in Australia in December 1995, Jay and Catherine were married in Woodford, north of Brisbane, on the opening night of Woodford Folk Festival. This, the country’s largest folk festival, was their first official booking as Mundy-Turner. During the festival they released the Sun Studio recordings as EP CD “The Sun Sessions” and performed for the first time with Cath on piano.
For the next six months, the duo toured extensively to festivals and clubs in Australia and New Zealand, until settling in Cairns, Far North Queensland. There the duo entered into a period of creative development, both in songwriting and as performers.
“Living in Cairns for 20 months was wonderful for us. The intense tropical atmosphere and the demanding nature of the local gigs (4 x 45 minute sets a night) honed the dynamics of our live shows and really cemented our identity as an act. We stubbornly refused to play covers. We were totally dedicated to developing a reputation for strong original material.”
TRAMPING THE BOARDS & THE CORRS SUPPORT
The pair became immediately involved with Cairns’ only professional theatre company Just Us Theatre Ensemble (JUTE), co-composing and playing live scores for Shakespeare in the Park 1996.
During 1997 they were core actors/performers in the JUTE troupe, co-devising and performing several street theatre shows. Lead roles followed, in Kathryn Ash’s new comedy Digging In and an adaptation of Shakespeare’s Othello called Lust & Loathing, Jay playing ‘Othello’ to Catherine’s ‘Desdemona’ on the outdoor amphitheatre stage at Cairns’ Tanks Art Centre.
“He got to pretend-smother me with a pillow every night during the Othello season. LOL!! “
In January 1997, Mundy-Turner were invited to support multi-platinum Irish pop band The Corrs throughout the Queensland leg of their Australian tour to critical and audience plaudits, playing Cairns Convention Centre (2 nights), Townsville Entertainment Centre & the Brisbane Entertainment Centre.
Later that year, Cath & Jay were selected to be showcased at the APRA “Composer Exposer” in Brisbane and again at the Pacific Circle Music Convention in Sydney.
FIRST TWO ALBUMS, THE UK, ROLF HARRIS, SUNNIE AWARD…
The duo’s debut album, High Life, was launched in late March 1998 to a sell-out audience at Cairns’ Rondo Theatre, two days prior to their first European Tour as a duo.
The six month tour of clubs and festivals in the UK and Italy was a great sucess, resulting in the UK’s Jacey Bedford Tour Management taking on Mundy-Turner’s future UK Tour bookings.
The duo were invited to support Rolf Harris for two shows in 1999 at Stroud Festival – an especial highlight for Cath who traces Rolf as her earliest musical influence.
“At the age of five, I got a Rolf Harris ‘All Together Now’ album – my first ever record, vinyl (of course!). ‘The Court of King Caractacus’ was my fave song and was always my party piece – still is. I told Rolf this between shows at Stroud Fest. At the second show, Rolf unexpectedly invited me on stage to perform it with him! I was on stage like a shot.”
High Life was honoured in August 1999 by the Queensland Recording Association “Sunnie Awards” as the Best Folk/Ethnic Album of 1998-1999. Two songs from the High Life album (Get There From Here & the title track) were nationally play-listed by ABC Radio. The track Get There From Here was also selected for ABC’s compilation album Music From The Far North (2000).
The following year their second album entitled Naked was honoured as a Sunnie Award finalist for both Best Folk/Ethnic Album and Best Song 2000.
By then the duo had settled into a pattern of touring the UK for 3-6 months of every year and in 2001 began to look at moving base to England….
Delve into Cath’s fascinating backstage view of a major tour in the Fairport Tour Diary.
From 29 Jan – 29 Feb, 2004 Mundy-Turner toured as support act to the legendary British folk-rock band Fairport Convention. It was a lot of fun and a huge success! The duo played major 30 major venues around the UK in 32 days.
Pics are coming – mostly taken by Cath & Jay and some by Ian Burgess of Friends of Fairport (Thanks, Ian!)
Cath’s Fairport Tour Diary 2004
DAY 1: Thurs 29 Jan 2004: Roses Theatre, Tewkesbury
The first day of the tour! Finally after all these months of anticipation the day has arrived. I am nervous! But very excited too. I’ve never been on a tour like this before. Jay did it back in 1991, so he’s not feeling quite the same way as I am. It will be different to the last tour for him. For a start he’s not on his own, and we are not travelling on the crew bus as he did back then. We’ve got our own transport and are taking care of our own accommodation, staying with friends all around the country.
The drive to Worcestershire was blessed with gorgeous sunshine and brittle temperatures of 4 degrees celcius. After the snow-blizzards of yesterday, the countryside looked radiant in white. I love the snow!! But we have to be careful. There are icy patches on the roads and paths. Last thing we need is a fall and a broken bone, like on our 2001 Canadian tour. That’s another story.
First stop: our friends Mike & Sheila’s in nearby Hanley Swan to settle in and spend some time (it’s great to see them). Thence to Tewkesbury. We arrive at the back end of The Roses Theatre, not sure of whether we are in the right place. Next to a fairly huge truck is a fairly huge bloke complete with fairly huge beard. He’s friendly though and smiles when we ask if we’re in the right place. We explain that we are the support act. He says, “You’ll need to park here. I’ll just move the band’s bus forward a bit so you can squeeze in behind.” Fairly huge man introduces himself as Buff, (pronounced with his Geordie accent as “Boof”) which stands for something quite rude apparently. He drives the truck carrying the sound rig and all the instruments and he is just lovely. Off to a good start!
Original Fairporter & the band’s singer-guitarist Simon Nicol greets us next. He asks if I’ve managed to stay on my feet today. It seems that he took a tumble on the ice that morning, landing on one hip. Luckily, no breaks, he’s just a bit sore. We find our dressing room, conveniently marked with our name by the Tour Manager Rob Bravinor aka Brav.
The rest of the band are already here – Dave Pegg aka Peggy (bass/mandolin/vocals), Ric Sanders (fiddler), Chris Leslie (vocals/fiddle/mandolin/bouzouki/Native American Flute – what doesn’t this guy play?), and Gerry Conway (drums/percussion) – as are of course, the crew – Geoff Curtis (foldback monitor engineer), and Johnny Gale (guitar roadie), and Brav (Front of House sound). They’re all lovely folks. It’s good to see everyone. But shit I’m nervous.
Ric, whose amazing fiddling prowess always leaves me gobsmacked, shows me the way to Front of House and he takes me up two flights of stairs, through the bar then down two more flights of stairs. I later discover a much more direct route which cuts out all the stairs and takes you straight to the foyer – Simon says that Ric has an interesting sense of direction.
It’s good to see Christine Pegg there. She is the Powerhouse behind Woodworm Records and Cropredy Festival, and is supervising the first night of merch-ing by new team Gareth and Frances, two more lovely people. I can tell this is gonna be a good tour.
Sound check next. Geoff on monitors is great – nothing is a problem, all you do is ask for whatever you need. Rob controls the out-front sound, which is gorgeous and sparkly. It’s a nice theatre and the rig sounds fantastic in there. We’re going to enjoy playing through this system every night.
Simon helps to calm my nerves by saying that we know our stuff and we’ll have no problems going out there and doing it wonderfully. Chris Leslie helps even more by reassuring us that the audience will love our set. He says he’s a fan! Well that makes us the Mutual Admiration Society here then! I’ve admired Chris’ playing for years now, since I first heard his fiddling on Jay’s song “The First Day of Spring” – a long time before he joined Fairport.
Ric opens the show with a very flattering introduction harking back to the time in the previous century, well 13 years ago, when “fresh-faced young singer-songwriter Jay Turner” toured with Fairport and enchanted everyone with his song “My Grandfather’s Eyes”. Our set goes very well, no technical disasters! Do need to ask Geoff to adjust the balances between our instruments and voices on the monitors a bit – everything is going to be settling in during these first few gigs. I’m struck however with how clearly I can hear my voice. I guess I’ve been used to working through less clear systems than this. It’s FANTASTIC. I’m wearing a pair of tall stack-heeled boots bought especially for the tour – very stylish, but hell, I’m not used to heels and it’s gonna take me time to get used to performing in them. I feel VERY tall!
Went out front to listen to Fairport’s set. Wow – they sound exquisite. Love the arrangements. Appreciate anew their incredible instrumental talents. Quite a few new numbers too. And they are very funny – a delightful show. Went on to join the band for their traditional encore “Meet on the Ledge” by Richard Thompson, with me on piano, Jay on guitar, and seeing as we’d only just learned the chords and arrangement, thought it went very well. The audience seemed quiet tonight and were not buying anything much during interval, much to the Merch crew’s dismay. Apparently even the bar complained of only selling one tray of drinks! Hopefully this is not the trend for the tour.
DAY 2: Fri 30 Jan 2004: Roses Theatre, Tewkesbury
We discovered that British comedian Eric Morecombe did his last performance in this theatre and died on the floor in OUR dressing room. Ooooohhhhh, that’s a bit spooky.
A few changes tonight. Peggy & Geoff say bringing the piano on for the encore is too messy so they’d like us to join them on another number instead, namely their hit song from 1968 “Si Tu Dois Patir” by Bob Dylan. Blimmin’ heck, it’s all in French! I can’t speak French, let along sing it! We have one run-through, Jay playing guitar and me on cow-bell (more portable than the piano) and trying to keep up with the words of the chorus. Eeek.
Second night audience are a lot more lively, much louder and happier. It was a sell-out. They bought lots of drinks and cds and t-shirts and stuff and wanted us to sign things! Really fantastic! I can do this!
“Si Tu” was a bit rough whilst we learn the words and the shape of the arrangement, but it’s new for Fairport too, so at least we’re all in it together. Strangely, they’ve never played their hit live. The only current band-member who was in the band at the time of the hit was Simon and he didn’t sing back then!
We thought Peggy meant us to do “Si Tu” instead of “Meet on the Ledge”, so we got changed into our black civvies to load out, and were standing at the side-stage watching the encore. Peggy started moving his head indicating that he wanted us to go on and sing along, but by the time we worked out what his head-movements meant, weíd missed the first chorus. So we tried to sneak on stage right in time for the second chorus, whilst everyone was looking at Chris Leslie doing his mandolin solo stage left. Sneaking on didnít work! The audience very enthusiastically burst into applause at our entrance, which was so nice of them, but we didnít mean to disrupt Chrisí solo. It was wonderful singing along, adding our harmonies to the chorus, and Iím glad we still are involved in the encore. Thanks Peggy!
DAY 3: Sat 31 Jan 2004: Forum 28, Barrow-in-Furness, Cumbria
Two questions: What does Furness mean? Why does it have a barrow in it?
Never been here before and on such a wet day it felt as though we were driving into the fjord-lands of New Zealand. Roads and fields were flooding. But it’s so beautiful. I love the adventure of going to new places. Stop in Ulverston to meet our hosts Jack and Vicky, who are fascinating people and great fun. Vicky is descended from Welsh gypsies. She showed us photos of her mum and grandmother, both beautiful women. Her grandmother was a traditional Gypsy fortune-teller. Jack re-constructs the skeletons of dead animals (usually birds) into striking sculptures. There is a big skeleton of a turkey looking in the kitchen window, and the many tiny bones of birds’ feet sorted into specific groups on his desk. He also sews wedding dresses. Amazing folks.
On to Barrow to the Forum 28, with our hosts leading the way. The Forum’s claim to fame is that the venue was the site of the outbreak of Legionnaires disease a couple of year’s back, which killed a number of people. They are going through a court case at the moment. It seems a very nice place all the same.
Another fabulous audience, pretty well sold out. They really went crazy for the whole show. Fairport got a standing ovation – wonderful to see. People really liked our set and our songs – so much positive feedback from audience members at interval and after the show too. Jay’s stirring song “Markham Main” is really making an impact, quite fittingly during the 20th anniversary year of the Miner’s Strike. All the enthusiasm for our set bodes well for our return visit to play our own show at the Ulverston Sports and Social Club in May.
DAY 4: Sun 1 Feb 2004: Newcastle Opera House
A big cavernous chilly place, but so beautiful. Built in the mid-1800s, it’s classically styled and awesome with multi-levels of towering balconies. Never been to Newcastle before – a handsome city, very impressive. Never played in an “opera house” before. Felt really cold on stage with the draught that swept through, and found it difficult to relax during the set, but it went well, judging from the cd sales and the amount of people coming up to us with such great comments, and smiles on their faces. They really are loving what we do, and we’re so happy for that! The chance to bring joy and emotion to people’s lives through music and storytelling is the whole reason I became a performer. Playing to such lovely crowds in these theatres every night really “feels like home to me” (haha – to quote a Linda Ronstadt song).
Great to see Bob Fox and his wife Marilyn here tonight. He has been nominated for Best Folk Singer of the year by BBC Folk on Two Awards, to be announced in a week’s time. His version of Chris Leslie’s evocative song “My Love Is In America” has also been nominated for Original Song of the Year. We hope he and Chris’s song get the gong, although being nominated is honour enough! Also nice to see long-term fans along tonight, the Wisker family and their friend 19-year old Mikayla from Birmingham, all squealing with excitement at the fact that two of their fave acts were on in the same bill. We signed a lot of posters!
Stayed overnight with friends on the nearby coast, virtuoso fiddler Stewart Hardy and his lovely German wife Tine. She is a physiotherapist. They are both hilarious. This tour is turning into a great way to catch up with friends. We stayed up later than we meant to yet again, talking, laughing and feasting on very nourishing vegetable soup! All good for the soul.
DAY 5: Mon 2 Feb 2004: City Varieties Music Hall, Leeds
It’s the Muppet Show and tonight, Kermit’s special guests are Mundy-Turner and Fairport Convention!! Yaaaaaaaay!! (Frog puppet wiggles arms to the left.) What a cool place, and such a cute if, rather small, stage. Extremely small. Somehow we managed to fit the piano on there, thanks to Geoff setting up his mixing desk back a way.
The music hall TV series “The Good Old Days” was filmed here. I do remember it very vaguely from my childhood – they showed a lot of British TV in Australia then. A friend tells me it’s also known locally as the Titty Varieties – something to do with the type of shows that were once on here? The auditorium and stage really do remind me of the Muppets theatre. I could just imagine those two old geezers heckling from the boxes. “Who’s that bald chap with the girl with big teeth and eyebrows?”
Built in 1860s, it’s of similar vintage to last night’s Opera House but possesses a totally different energy. More grungy and “theatrical”. Less opera-y. An absolutely packed out, sold out, standing room only show. Very sweaty, and a great deal of fun.
Apparently the City Varieties is being threatened with closure as it doesnít conform to present-day safety and disabled access standards. They are asking people to write to the council in protest. Itís part of Leeds heritage. Surely the council should be investing in it, to help revamp it to modern-day standards, not pulling it down. So here’s my bit – KEEP THE TITTY – sorry – CITY VARIETIES ALIVE!
Staying two nights with very good Yorkshire friends Bill and Judy now. T’will be great to spend two nights in one bed and to spend some MORE time with friends. Hotel rooms are OK, but the chance to see people and enjoy home-hospitality whilst on the road is quite a blessing.
DAY 6: Tues 3 Feb 2004: Burnley Mechanics, Lancashire
Bloody great show here, and what a marvellous venue too. We came out on stage and asked the audience how they were. “All the better for seeing you!” came the shouted reply, and we looked down to see a whole table of some of our most loyal fans right in front: Tim and Denise and The Birtwhistles. Felt wonderful. They are also big Fairport fans so they were enjoying the night immensely. CD sales went exceptionally well here, the best night of the tour so far, so it’s all feeling rather fantastic. “Get There From Here” with the band went off, and we are getting the hang of “Si Tu” now. I can’t believe I can now sing this in French. I drove Jay mad practising it in the car all the way up to Barrow last Friday.
The band and Rob are enjoying rather sumptuous lunches on this tour. Every evening at sound-check they have a story of yet another fantastic gastronomic experience, today at Kashmir’s in Bradford, one of the best curry houses in the country. After all the years of doing the Winter Tour, they have sussed out the places to go and plan their journeys accordingly. We on the other hand, have no idea where all these marvellous places are, and dined at Little Chef this afternoon. What could compare to Little Chef’s vegetarian all-day breakfast I ask you?
The Birtwistles wrote to us: “Hi – Loved Burnley’s show, and you have to get a version of Get There From Here down on tape sometime during the tour. Get it out as a single, or on your new CD as a bonus track, truly awesome. Philip, Celia and Ruth “
DAY 7: Wed 4 Feb 2004: Southport Arts Centre, Lancashire
Rainy day, roads flooding. A very damp ride down from the Moors of Yorkshire to the coast. What a gorgeous Victorian seaside town Southport is. Wish we had more time to look around, but as usual we arrive in time to go straight into the venue. Jay went out to a cd shop before the sound-check to buy a copy of Roger Whittaker‘s new compilation album. It’s got Jay’s song “Feather on the Wind” on it as a bonus track, and we had a quick listen through the FOH system, courtesy of Rob. Sounds good, but not quite what we’d hoped for. “Feather on the Wind” and another of Jay’s songs “Out of Africa” will be coming out on the new Roger Whittaker album later in the year. Good one Jay.
The theatre here is rather marvellous, the sound is splendid and we played a good set. Sold lots of cds and heaps of people came up to give us their thanks and compliments on our performance. It feels wonderful being on this tour, playing in great venues to such responsive audiences who appreciate original music, and supporting such an excellent band of people and musicians. I reckon we could do his forever.
Starting to get some fan email – wow! “Saw you at Southport last wednesday. Really enjoyed your set. Paul”
“What a fantastic discovery! I had never heard of you before – but saw you last night with Fairport Convention in Southport – you are absolutely fantastic! I am totally hooked! Just been looking to see where else you are playing this year so i can see you again – luckily there are a few possibilities! Meanwhile, i am just going to have to buy some more of your cds as it seems i cant get enough of you! Wow! What a find! Just read your profiles also and it seems you have been around for some time – so where have i been? Must have been going around with eyes and ears closed! I shall gush no more… Thank you for last night – i enjoyed you just as much as Fairport, if not more so because you were such an unexpected find. Now – how many cds is it i have to buy?…..Many thanks, Jean.”
DAY 8: Thurs 5 Feb 2004: Assembly Rooms, Derby
Ouch, this was a hard night. Itís the first night with the Dylan Project, and therefore our set was cut to 20 minutes. We thought, “Right! Cut 2 songs from a 6-song 30 minute set and we should be apples.” Nup! It turns out we still managed to overrun by 5 minutes, but not intentionally of course. This combined with not starting on time because the theatre didnít give clearance at 7.30, time was tight for the rest of the show. This is a lesson in being much more attentive to timings and making sure we understand the whole picture when a show is different in any way.
A funny thing happened with Little Johnny Gale on stage tonight. He took my piano off stage after “William Jolly” and I’d left my fiddle bow on top of it. I came to do “Separation Street” and I had no bow! Somehow I managed to get the message across to John and he came on stage to hand-deliver the bow much to the audience’s delight. He’s fab.
Tonight, despite the difficulties and resulting heartache, or actually thanks to the difficulties, I am struck with the incredible kindness we have received from everyone on this tour. The crew (John, Buff/Boof & Geoff, pictured left to right) are just so great. Rob/Brav the Tour Manager is also great. Every member of the band is so sensitive and supportive and lovely. They are all working under stressful conditions and have to get out there each day and do their utmost best. It’s awesome to watch and to be a part of it. I feel a huge sense of gratitude to Fairport and their Team – and a lot of love too. Awwww. Warm fizzies. Oops, I mean fuzzies.
DAY 9: Fri 6 Feb 2004: Assembly Hall, Tunbridge Wells Lovely room, great sound, fab audience – who could ask for anything more? Went down a storm! Great show tonight from all players. Everything was feeling a lot calmer after the tumult of last night. The crew and band members came up before the show to check we were well. They are such caring people. Everyone on the Fairport bus is a family, and such a loving one. Feel very blessed by that. Thank you guys. You’re true heroes.
Steve & Terri – great friends and Fairport-supporters from the very early days came as our guests tonight. Steve gave us good feedback about how well the set is working. Said it was perfectly balanced and exactly what he would suggest we play. But Rob timed us and it looks like even with the chat culled right down to the bare minimum it is still the same 5 minutes over. Damn! We didn’t realise that. The only thing to do is to cut another song, and that way we can relax with the audience, still do some of the story telling, and not over run.
The Fairports gave the most hilarious extra encore tonight, before “Meet on the Ledge”. Simon came on and sat at the drums and started playing the solo from “Wipe Out”, so Gerry grabbed Simon’s guitar and was doing all the rock and roll moves with it, although he could only play one note. Most funny was that he hadn’t turned the tuner off, so no sound was coming through at all, until John ran out and switched it through. The audience loved it, and we all fell about. I had no idea Simon could play drums.
More Fan Emails: “Hi Saw you live in Tunbridge Wells last Friday – thought you were excellent! Please help – I’d like to buy a copy of Crooked House (should have got it on the night, I know) – does your on-line order facility ship to the UK or is there a better way of purchasing your CDs within the UK? Thanks for your help – look forward to seeing you again some day. Regards – Chris”
“Cath/Jay Just a quick note so say how much I enjoyed your gig with Fairport in Tunbridge Wells the other night (my 11 year old daughter enjoyed you more than Fairport, who she has seen before). I purchased ‘Crooked House’ and have managed to find space to review it in Feedback Magazine #78, which I am currently completing. It will also contain a live review (if I get my finger out) and I will send you a hard copy of the mag when it is finished. I hope you managed to have a look at the ones I left with you. However, I thought you might like to see the review of the album (attached) All the best, Kev ”
Thanks for the very nice album review Kev. We look forward to the live review too!
DAY 10: Sat 7 Feb 2004: Corn Exchange, Cambridge
We’d been told the acoustics in the Corn Exchange were dreadful but we had NO problems on stage – fantastic sound as usual. Up front there’s a huge standing-only area for the audience, then way away there’s a riser with seats. And then, up above that in the “gods”, is a balcony full of people as well. So you’ve got people hanging over the front barrier right in your face and then a void – a faceless crowd way up there in the black heavens that you can’t see. Weird! Nonetheless we had a great time on stage – audience were fantastic.
A hilarious moment on stage: Jay had just introduced “Get There” and the band were all on stage behind us (or so we thought), when Peggy stage-whispered to Jay “Keep talking, keep talking..”. Jay turned around to find out why, and there was no Gerry behind the drums! He’d been in his dressing room with his walkman in his ears (as usual – I think he’s listening to jazz) and the door shut and hadn’t realised everyone had left for the stage. Poor man looked very sheepish when he finally did rush onto the stage to the kit. We can’t start without him!
Our friend Brian Cleary, host for the night and brilliant Django-style guitarist, raved about our set, sweet man. This is a man who doesn’t dish out compliments without cause, so we felt chuffed. He loved our sound and what we did with a big stage rig. S aid it was exquisite, especially our voices and harmonies. He’s seen us a number of times in intimate folk club situations and thought we translated our act so well to the large venue. Really gratifying to hear this from a man whose musical opinion we respect so much.
The crowd went wild for Fairport tonight. The lovely singer-songwriter annA rydeR was there and sang with the band on her fab song “The Crowd”. She released her own Fairport Tour diary as a book as few years back.
“Si Tu” went down a blast as did “Meet on the Ledge” especially with young guest cornet-player Edmund adding his brass-magic to the chorus – totally exhilerating. The fact that he’s blind is only an interesting aside. It did sound fabulous and the crowd were right into it, singing along. God it’s a real joy to be on this tour!
Our friends Steve & Jill were there and wrote:
“‘Elo darlings! What a great show and how terrific you both looked on the big stage in the super trooper spotlights, absolutely loved your set and also the mixing in with F.C. Your wonderful voices added an extra dimension to the band. Good luck with the rest of the tour. See you soon, love & cuddles, Steve & Jill ”
“Thanks for a great gig at Cambridge. Luckily we brought binoculars! Good to see Fairport returning to the Huw Williams catalogue. Hopefully they’ll soon turn to the Mundy-Turner songbook. On which subject, should you ever require a studio band, or even stage backing musicians, don’t forget us if you can’t afford Fairport. All the best for the rest of the tour. Mark (and Phil & Kim in absentium)”
DAY 11: Sun 8 Feb 2004: Symphony Hall, Birmingham
Wow! What a stunning venue. As Jay remarked at the soundcheck, “It’s like the flight deck of the Starship Enterprise in here.” Very impressive. Acoustics to die for. This is obviously a 6-star gig. The dressing rooms have not only ensuite bathrooms, but a highly polished upright piano in each, so you can practise, do warm-up scales, play the blues, whatever you’d like to do with your own private pre-show piano. Posh. (Oops, a bit over the top with p-alliteration there.)
This is a Dylan Project night, so our set is a bit short, but 3 songs in the Symphony Hall is better than no songs at all! It’s also a real home turf gig, seeing Peggy, Chris Pegg and Ric are both from Brum. Bit nervous for some reason. OK, I’m shit scared for some reason. ‘Specially starting with “Little Birds” which we haven’t before yet performed on this tour.
I feel like I’m coming down with something – tickly throat. But the audience seemed to love us, and the CD sales were fantastic! Was great to see the wonderful Chris Pegg there. She is the powerhouse behind Woodworm Records and Cropredy Festival. She took me to task for being too tall, wearing those bloody too-high platform heels. She said I would be intimidating men and would be unable to catch one. I said I wasn’t looking for a man, I’ve got one already! And at 6’1″ he is tall enough to bear my on-stage height.
The Dylans and Fairport all went down a storm, and we all got on to do the finale of the Fairport hit “Si Tu Dois Partir”, followed by big chorus line style bows altogether. PJ Wright (awesome guitarist from Dylan Project and Little Johnny England) & I had fun on the side Honky-Tonkying with his electric guitar and my cow-bell.
After such a brill Fairport performance, of course the audience were baying for an encore, so all were on for the emotive “Meet on the Ledge”, including a much-applauded appearance by the brilliant ex-Fairport multi-instrumentalist Maart Allcock. The audience sang a beautiful solo on the chorus. I took the camera on stage and got some lovely shots. Great night altogether. Woke up this morning with a tickly throat so hope I’m not getting anything nasty. Sleeping at home tonight – can’t wait for me own bed.
“Dear Cath and Jay, …what a revelation seeing you at the Birmingham Symphony hall on the 8/2/04.I thought you were absolutely incredible! …thank you very much for an enjoyable evening , your singing, playing and very tight close harmonies were edge of the seat stuff and we would both love to come and see you play for longer next time. Good luck and have a great future. Lots of love Martyn”
DAY 12: Mon 9 Feb 2004: Opera House, Buxton, Derbyshire
You’d think going home after being away on tour will be nice and relaxing. But sometimes it’s not. Like today! We woke up late as usual and pretty tired after having driven up from Birmingham post-gig the night before, only to find that a water pipe has burst across our driveway and the ridge tiles had blown off our roof in the high winds over the weekend. Yikes. Let’s go back on the road please.
Temperature has dropped again – it’s freezing today. A lovely drive from our place, just 50 minutes across the dramatic and beautiful Peak District, brings us to the old Buxton Opera House. Tis absolutely gorgeous, from its art nouveau stained glass frontage, to its classical interior of elaborately gilted balconies. There are even cherubs and angels painted on the domed ceiling high above the auditorium. Celestial.
I wish I felt better. Definitely coming down with something rotten and cold/flu-like. Damn! I was so determined to stay cold-free. Had my first sleepless night of the tour last night. Fairport melodies, riffs and arrangements were rehearsing themselves incessantly in my head. At least the music was enjoyable. Could have done with the sleep instead though.
I told Simon about this and he looked genuinely concerned. “Fairport tunes all night – oh you poor thing!” He told me that he couldn’t get to sleep either after last night’s because they hadn’t done “Matty Groves”. To get any rest, he had to get out of bed, go downstairs and play through the whole thing!
Uncle Reg Turner (Jay’s oldest surviving uncle) and his first cousin Nigel Turner were in the audience tonight. He dedicated “Markham Main” to them, as they are all descended from Jay’s Granddad Turner who was a Derbyshire coal miner. My voice was not working very well due to whatever is going on with this sore throat. I wanted to opt out of doing the Kookaburra impersonation (that’s an Ozzie native bird with a wild call that I do in our set, in case you didn’t notice it or didn’t see the show) ’cause I was feeling so yuck. Very kindly the House Manager brought me a hot whisky during interval. Purely medicinal of course!
DAY 13: Tues 10 Feb 2004: Muni Arts Centre, Pontypridd, South Wales
Jay & I have just come off stage after an exhilarating set warming up for the fab Fairporters. I’m struck by the realisation that dressing rooms are great things – even when they are a bit cold. But I should have no complaints. Even a chilly dressing room gives you somewhere to stretch out the kinks of the journey, put on lippy in private, and make funny noises with your voice. You can even set up the laptop and type your diary entries. You don’t get this luxury at folk clubs. It’s bloody nice.
So, here we are in Ponty! This is our first and only night in a Welsh town and apart from the rather difficult get-in and the painfully crawling traffic through the town centre, itís great! The audience are bonzer. I like Welsh people, their sense of humour, and I like the Welsh place names. Where else in the world do you come across the musical lyricism (albeit unpronounceable lyricism for those not in the know) of places like “Maes-y-coed”?
It’s that point in the tour when health is a little run-down – both Chris Leslie and I have colds and Geoff (our fantastic on-stage sound engineer) has been a bit poorly. Chris is so thoughtful – he came to our dressing room before the show bearing a hot mug of Lemsip for me. I attribute the success of our set to lovely Mr Leslie, the Sudafed I took earlier, and Lemsip. Is one supposed to take Sudafed and Lemsip together? I dunno but I’m on a high now so it must be good. Think I’ll get another hot whisky from the bar tonight too.
Fan Email: “Dear Both, saw the gig at Pontypridd thought you were brill. What album is Markham Main on and the first song you did about Australia? You both looked as though you were enjoying yourselves especially on the stage with Fairport. Thanks for a great night. Hope you come to South Wales again especially Swansea… will deffo be coming. Thanks again. Terry”
DAY 14: Wed 11 Feb 2004: The Phoenix, Exeter, Devon
There was an interesting art exhibition at the Phoenix (see me there with Raven installation, right). There’s a bird theme happening here – phoenix, raven, kookaburra… Cool place!
For the record, I asked Jay what he enjoyed most about tonight’s gig. “It felt like a real gritty rock n roll gig. The crowd had a real restless energy which inspired me lot.” Yep I agree wholeheartedly – it was great fun out there tonight. A stand-up gig – for the audience I mean. Having a mosh pit of folk-rockers on their feet jammed in front of you creates a great atmosphere. The audience were really up for it – literally.
Don’t know what happened with Fairport getting on stage – we introduced them and Ric and Chris came on, but no one else. Eventually Simon, Peggy and Gez followed, Simon zipping up his trousers – it was very funny.
Jay’s new-found half-brother Martin and his girlfriend Sharon were in the audience tonight. Martin is also a musician, and it was so nice to have him there being so supportive and relaxed. Having a brother is something new for Jay and he is enjoying it. So am I.
Jay is great. Touring with him 24 hours a day, working with him on stage, driving thousands of miles in the car, navigating our way through endless, confusing one-way systems in a different town every day, AND being married to him, you’d think we’d be getting on each otherís nerves. But no it’s wonderful. I can’t help but think how bloody lucky we are.
The lovely Brav, Fairport’s manager, asked me last night whether we were all right, were we enjoying being on the tour? He said the fact that he hadn’t asked very often isn’t because he or the crew don’t care, but more because of everything going on. I told him the truth – we love every minute of it. The crew are so great to us, the band are too. We’ve no complaints – we’re being treated so respectfully and kindly, and feel really appreciated.
Rob very kindly said that we are a joy to have on the tour and doing a great job. I can’t say how pleased I am to hear that from him. As the Tour Manager (TM) and Sound Engineer (SE), Rob has a tough role, running the tour, making sure everything works smoothly as possible with the venues, band, crew, the support act, hotels, etc, etc – and he gets out front and gives us all brilliant soaring sound every night as well. The tour is full of heroes actually, and Rob is right up there.
Went out front to listen to part of the second half of the show. Simon’s performance of “Rosemary’s Sister” by Huw Williams is a real high point for me – so poignant, complimented by the delicate and sparkling guitar-work and the sweet violins of Chris & Ric. It gave me goosebumps. I must remember to tell him.
DAY 15: Thurs 12 Feb 2004: Queens Theatre, Barnstaple, Nth Devon
Arrived in Barnstaple mid-afternoon in convoy in the misty rain with our Taunton hosts The Carters (Gwyn, Kevin the Saint and daughter Vicky) for a relaxed lunch together at the pub opposite the theatre. They are putting us up for all our gigs in the West Country (quite a few). Wonderful folks. Gwyn has been a fan of Jay’s since he toured as support on the Fairport Winter Tour of 1991 and owns all four of his solo albums on cassette – rare things.
It is Day 15 of the tour – half way through. Brav (who is what’s known in the UK as a “Georgie” – ie someone from a particular area of the North-East of England who speaks with a particularly hilarious accent) told us that when he was in Australia he earned the nickname “Crocodile Geor-dee”. I’m calling him “Croc” for the rest of the tour.
Speaking of accents, I hadn’t heard anyone actually SAY “Barnstaple” before we went on stage. Should’ve checked it with Jay. Rather embarrassing to warmup a new crowd with “Good Evening BarnSTAPLE” – as in ‘staple food’ or ‘staple papers’ – and have them all falling about laughing at my mispronunciation. How was I to know that the emphasis is on the “Bahrn” with a little “stipple” afterwards? Oh, well laughter is the best warm-up for any crowd.
But I bet none of them would know how to pronounce some of the places in my home town. Try wrappin’ “Woolloongabba” around yer larfin gear mate.
I continue to interview Jay for the record: he reckons there is a really clear energy in all the performances tonight. The audience seemed a little quiet at first but were soon responding wholeheartedly to our intros and songs. They almost didn’t stop clapping to several numbers. The band entered to prolonged applause. They are giving it welly tonight and sounding great. I still feel bunged up with the lurgy, but managing to sing through it. This illness is making my mouth so dry I have to swig water in between every song. Which then makes me want to burp while singing. Sigh!
Last night at Exeter, we did our set without the piano – lack of space. So I played “Get There From Here” on fiddle instead of piano. It felt so great to be up on my feet in the middle of the band rather than being stuck out at the side seated behind the keys, so we decided to stick with the fiddle. Now I’m getting much more of a kick from that number and it ends our set much more comfortably for me.
Simon also gets more of a chance to add to the arrangement on electric guitar, which is a bonus cos I really love his playing. And I double up the brass-line with Ric – two fiddles – which gives it a bit more of a big “chorus” effect. He and Chris on mandolin do the histrionics in the final chorus. I like the way the support act dovetails with the main act – laying on tune together before the FC set. How many main acts do that with their support act?
Found a “secret” message from Peggy scribbled inside the book Jay is reading each night in the dressing rooms. Message reads “Hey ? well done U2. Youíre great! Love Peggy xx PS not being nosey – just wanted to thank you!” Awww. That’s so sweet of him. God Bless Peggy. Wonder when he wrote that?
DAY 16: Fri 13 Feb 2004: Royal Spa Centre, Leamington Spa, Warwickshire
Great show tonight although people are a little road-weary. Poor Ric is not feeling well tonight – stomach upset. The band drove all the way back to their home-base in Banbury from Barnstaple last night. That’s quite a way after a gig, and they didnít get home until 4-5am. We slept over at Taunton, so didnít have such a long drive today but it still took 4 hours. Tesco meal for dinner in Warwick – not bad. Where else can you get a hot meal for such a good price at 4 in the afternoon that’s not McDonalds?
Boring I know but this cold is STILL lingering. It’s making a bit grumpy. I’ve really had enough of it, thanks very much! Tonight on stage I breathed out through my nose during our final number with the band and what came out wasn’t pleasant. I couldn’t do anything about it with the fiddle in my hands and you can hardly wipe your schnoz with the back of your hand in front of all those people, can you? I hope no one noticed. Poor Jay seems to be getting the sore throat now. Bummer. But still we did a great set and the audience went crazy for it.
Met Brav’s wife Barbara and his two very pretty daughters Jessica and Milly. Some good friends in the audience tonight – Karen Dove our super-hero friend from Coventry, and Australian singer-songwriter-bassist Liz Frencham who goes back to Australia this weekend. (Liz played bass on Chris While and Julie Matthews’ new album last year and we hope sheíll be returning to the UK in the summer to gig and play bass on our album too!)
Before the show, the marvellous Chris Leslie showed us his special Native American flutes that he brought in from home. Just a gorgeous sound, and he is such a natural on the instrument. It’s sold us on acquiring one of the River Reed flutes. They are made completely by hand by the traditional Cherokee makers, using no machinery.
Interval was a blast – selling cds big time and signing everything pushed before us! It’s lovely to be able to have a chat to people as they come up with their albums. Most have connections with Australia, either having been there or relatives there. All have such lovely compliments to give us too, which make me feel very humble indeed. We are soooooo lucky to be here singing to these fantastic people.
For the second half, Jay has taken our friend Karen backstage so she can watch Gerry Conway’s drumming up close. She has just started learning drums, and thinks Gerry is incredible. He is.
DAY 17: Sat 14 Feb 2004: Wycombe Swan, High Wycombe
Valentines Day, kisses and hugs and more of those warm fizzies! Got a lovely card from my love and a huge Toblerone. Yum. Weather not fab, very drizzly and dreary. It’s lucky I carry the sunshine in my heart. Awwwww.
Now, why is it so hard to get in to these venues? Sometimes it seems as if every door is locked, every passage not the right one, and your hands are always full so that opening the endless range of fire-doors is impossible. But once you’re in, everything is great! Atop our gear tonight sat a big red Valentines card and a bunch of beautiful tulips from the crew to me. The card read: “Hot stuff! Hi there you little devil – to our Valentine with love from the crew. x” Wow! Me? Very unexpected and such a thoughtful gesture. I thanked Geoff, our marvellous monitor engineer, and he said “Well we have to look after you, seeing as you’re the only girl backstage amongst all these blokes.” I can hold me own with this male mob – they are so very sweet.
We got a large container of Quality Street chocolates for the band, and another for the crew, just to show them we care. The band has tucked into their box admirably, but I don’t think the crew have even visited the green room to know of their existence!
The crew definitely work the hardest of us all, for the longest hours, sometimes doing 17 hour days with very little break, and in this case for 17 consecutive days without a day off. They are never grumpy or mean, always professional, always go out of their way to assist you, and all have an excellent sense of humour. That’s essential. You don’t have to be mad to be on this tour, but it helps.
Great crowd here at the Swan theatre. Chris Bates taking pictures as he did last night. Set went really well but poor Jay, he’s now suffering the cold I had, whilst mine is getting better by the day. Still he sang beautifully and “Naked” was just sublime. Sold lots of “Wholly Road” live albums at interval. Maybe because people seemed to really like the Kookaburra tonight and that’s the only album it’s on. Fancy selling albums because of a bird impersonation.
After the show we drove up to our friend’s place Pam & Oliver. Oliver cooked us a fresh trout meal with gorgey veges at 1 o clock in the morning. Another tour hero. (See Oliver cooking in the piccy!)
Fan email time! “Fabulous night last night and very much enjoyed your contribution. Please could you place us on your mailing list… Hope to be able to see you live again somewhere soon!”
“Hello, Saw you last night with Fairport, really really good. How about a gig at Nettlebed folk Club or Tudor folk Club ? Thank you, will see you again. ”
DAY 18: Sun 15 Feb 2004: Octagon Theatre, Yeovil
There are people here tonight whoíve come all the way from Leicester to see us play again, after seeing us at the Derby show. How cool is that! They loved our set, and have been playing the cd non-stop since and just wanted to hear us again. I’m blown away by that. Just so glad people are enjoying the music we create.
Well poor Jay’s got my cold for sure. I WAS getting better but woke up this morning feeling like shite and the drive from Banbury to Yeovil didn’t improve me. Could the cold-fairy come and take it way now please? I’ve overdosed on Vitamin C and sucked enough Antiseptic Soothers to last the year.
After the difficult get-in at Pontypridd, we took up the original offer from the crew to have our gear carried by them, apart from the violin. So now we arrive to find our gear already in the venue and only have to cart the personal stuff and fiddle. What a luxury that is. These guys are just fantastic.
The Merch crew, Gareth and Frances, are doing a wonderful job selling everyone’s stuff. It is very reassuring to know your product is in such efficient hands and they are mega nice too. Frances has helped us several times to find our way into obscure backstage entrances. The guys sold heaps of cds for us at Leamington Spa, the best night for our sales so far, with Burnley Mechanics coming a close second.
I’m listening to FC playing Ric’s self-penned instrumental “Portmerrion” over the dressing-room speakers and it is sublime. Ric makes his violin sing. I’m totally in awe of his playing – he can tackle any style and make it his own, a true virtuoso. Chris Leslie is also awesome, what a multi-instrumentalist, AND he’s a great songwriter. I love his fiddle playing but his mandolin work is also exquisite. Time to go now to get ready for “Si Tu Dois Partir”. Comfy singing this now. Sing in French? A cinch. Have come a long way in more ways than one since this tour began.
DAY 19: Mon 16 Feb 2004: The Playhouse, Weston-super-Mare
Sunshiney afternoon, very pretty seaside town, complete with a pier. Had no idea Weston was such a nice little place. Buff/Boof was our guardian angel again this afternoon, out with the truck, telling us the code to get in by the stage-door. Another great show tonight – our set went down big time. CD sales and signing of programmes and posters was full-on at half-time and interval. Lots of kids here as it’s half-term. It’s wonderful that parents are bringing their children to see live music of this genre, hopefully ensuring that the interest lives on into another generation.
Jay met up with an old acquaintance, Richard, and long-time supporters Paul & Angie Richards from Bath were there as our guests. Lovely to see them, but thereís not much time for catching up with friends during interval – there’s so much to do with signing cds and chatting to fans!
The funniest thing about the venue is that you can’t get to front of house without going through the auditorium. So Jay and I went from the stage door and ran around the WHOLE block to the front of the theatre! By the end of the show it was raining as we ‘arrived’ spattered with rain to ask the audience passing us on their way out, “Oh did we miss it? Was it good?”
Simon had a monumental time with the lyrics of “Matty Groves” tonight – the song stopped twice, as he found his place in the narrative. Such a long song, so many verses, it’s not a wonder. But it’s not the sort of song that works when the sequence of events is not in chronological order! “Oh, no, they haven’t gone to bed together yet!” he cried. We all cracked up (backstage and front), but the audience seem to love their musical heroes showing human fallibility.
Our first day off tomorrow after 19 consecutive shows. Can’t wait, my body needs a breather to get rid of this cold-infection completely. The band will be driving home after the gig, while we are hot-footing it across the country to Dawn & Graham’s in Broadstairs, Kent. Shouldn’t take us more than about 3 hours. It will be better to do it at night whilst the traffic is non-existent, than spending our big “day off” crawling through peak-hour road-works on the M25.
DAY 20: Tues 17 Feb 2004: Broadstairs, Kent
Arrived at 3am and sank thankfully into a warm feather-doona-ed bed after being let in by our wonderful host Dawn. Awoke at 11.30am, our usual time on this tour. It will be great to be here for the next three days, two of which are days off, interrupted only by a relaxed sortie into nearby Canterbury for the gig. Yay! Such a lovely seaside town. We do love Broadstairs, and it’s great to catch up with our mates Dawn & Graham, do some laundry and tonight, ooooh we might just watch a movie. We’ve almost forgotten what a quiet night at home watching a movie is like.
DAY 21: Wed 18 Feb 2004: Marlowe Theatre, Canterbury, Kent
Final night with the Dylan Project, which means again a 3-song set. Quite posh venue. The piano couldn’t go on tonight, firstly due to lack of space once PJ’s pedal steel is set up. Secondly, the piano sound module got dropped last night by accident and it’s buggered up in some way. Jay tried taking it apart and fixing it to no avail. Must find an electrical repair-type person tomorrow and get it back on track.
With the shorter set, it was prettty difficult choosing what songs to do tonight, but finally settled on “Separation Street”, “Naked” preceded by the kookaburra of course, and “Markham Main”. It means only one song with the fiddle, but something’s always got to give. Most important are the dynamics of the set.
It was nice opening with “Separation Street” anyway as we haven’t done it for a while now. And everyone loves the gorgeous “Naked” and the powerfully emotive “Markham Main”. There was a worrying moment when Jay repeated the entire third Verse of Markham! It’s the first time he’s done that, but he continued through and recovered well. Did anyone notice?
The kookaburra has been going well. I’ve had so many comments about it, and children particularly think it’s cool. It’s nice but also funny when someone says “I really liked your kookaburra.” I sometimes think, “But what about the songs? Didn’t you like them too?” But heck, as long as we’re bringing joy to folks, I don’t mind really.
Interval was a blast – didn-t stop signing albums, and the Dylan Project also went brilliantly. Another Day Off tomorrow. We won’t know ourselves!
From newly discovered relatives of mine that I met at the gig (first time!): “Hi Cath & Jay, Thoroughly enjoyed your performance in Canterbury, and also the rest of the evening with Dylan Project and Freeport Convention. It was nice to meet you, however briefly. Good luck and rock on – Is there a CD of your Kookaburra impersonation!! Bob & Jenny”
DAY 22: Thursday 19 Feb 2004: Day Off
Spent taking the piano sound-module to be repaired by qualified electricians in Ramsgate. They couldn’t fix it. But at least they confirmed nothing was wrong with the circuitry. So Jay took it apart again and fiddled with this bit and that and got it going. Yippee-yi-yay. Jay is pretty bloody clever. Phew. In between trips to Ramsgate we vegged out and watched movies. First time I’d seen “Close Encounters of the Third Kind” – very cool. Those diatonic-melody-loving aliens are so cute.
DAY 23: Friday 20 Feb 2004: Fairfield Halls, Croydon
After a leisurely morning in Broadstairs (mostly sleeping) and a relaxed lunch with Dawn & Graham, we set off to Croydon. Weather: bloody freezing with a chill wind. Fairfield Halls is somewhere I’d been looking forward to playing, because I’d read about the Beatles playing there in 1964. A lot of very famous acts have played here. It is BIG and beautiful, with a blond timber floor on stage and gorgeous acoustics.
It was good to arrive early, as we needed to check the piano module out with the keyboard. The crew and the venue’s lighting team were all there busy setting up, and everyone was jovial and joking around with each other. Our crew amaze me, as they are always so happy and positive. They must be exhausted, but their sense of humour never fails them. It’s a joy to work with these guys. Onya Buff, John and Geoff!
Well unfortunately the auditorium is not full, but the Fairports are playing fabulously tonight. They are hot. Peggy’s impro-intro on bass to “The Crowd” was inspired. Our set went well, but the best thing about tonight is that my lovely youngest sister Rachel is here. She lives not far away in Streatham, and works in the centre of London. We haven’t seen her since New Year – have been missing her lots. I saw her in the audience close to the front, wearing a huge grin during “Get there From Here”.
Interval: nice to meet some folks we’ve seen at other shows. Fairport’s fans are such that many of them come to multiple shows on the tour, so we are getting to know a few of them by sight, some by name as well.
We got Rachel backstage after interval to hang out and watch the show. She’s not seen Fairport before and really enjoyed the music. She told us she was enjoying it so much she wore a grin the whole time and Peggy was smiling back at her. Well how could you miss that gorgeous smiling face? Rachel’s I mean, although Peggy has a nice smile too. But Rach is a stunner.
I’m so glad a member of my family was able to see us play on this tour. My wonderful Mum and very supportive Dad are in Australia, not here. That means they can’t see us. But I’ve sent a copy of the programme to each of them. The programme is very posh and glossy and has a beautiful page with our photo, biog, Spring Tour Dates and website and stuff. Apparently both my parents have been taking it round to work and to show their friends, cos it’s so posh.
Jay’s parents couldn’t really come either. They are quite a lot older than mine and not very well. But we have so many friends and other Turner rellies, that we don’t feel like orphans. Plus we have each other and that is fantastic.
Post-show: back to friendís Steve & Terri’s in South Norwood for a delicious take-away gourmet curry from The Banana Leaf, with another Fairport fan called Mark but who wasn’t at the gig, accompanied by some very nice champers and white wine. Jay ate too much and went to bed with a grumbly belly, but what a great night!
DAY 24: Sat 21 Feb 2004: South Parade Pier, Southsea, Portsmouth
This is not my first time playing on a pier (Cromer in 2002 was) but this place is different, quite grungy, and not like the other posh theatres on the tour. Rob said it’s more like a working menís club but he was really glad that the promoter Barking Spider put the gig on, after the gig on the Isle of Wight fell through. This sometimes happens. Well done John Roberts and all of Barking Spider!
It is very cold and windy on the seafront. Met up with our best-ie Kaz and her mate Craig (who’ve driven down from Coventry) for a spot of lunch then to load in across the pebbly beach up onto the pier. They are good roadies – great friends.
Could hear the sound of the waves and wind under the floorboards in our dressing room, which is cold, cramped and pretty dirty, full of empty glasses and mess from the last people who were in here. Show-biz is all about these sorts of contrasts. There is no point in ever getting up yerself. Dan, one of organising team, was very kind in bringing us a heater for the room. Excellent; now I can get undressed.
The crowd are totally going for Fairport tonight. There’s a dance floor and those in the mood for dancing got up for Matty Groves. The band also got long-term fan Griff up on stage to sing an impromptu “Wild Rover” backed by the band cos it was Griff’s birthday. Quite a laugh and Griff was delighted!
Kaz got her drum-sticks signed by Gerry after the show. She is doing so well at drums. After only having learned for 6 weeks her drum teacher has suggested she do Grade 2 Exam! She absolutely loves watching Gerry play, and got talking with him about stick-weights. Drummer-speak is a bit above our heads.
Jay’s first-cousin Nigel who lives not far away in Emsworth is also here. Nige remembers seeing Chris Leslie and his squeeze-boxing brother John play as a duo in a village hall in Oxfordshire in 1974 or ’75, when they were all in their mid-teens. Tonight he managed to catch up with Chris to work out where and when it must have been. Chris says he’s got a re-release on cd of the album he and John did back then, which h’íll give to us for Nigel. Coolio!
DAY 25: Sun 22 Feb 2004: Palace Theatre, Westcliff, Southend-on-Sea
Gorgeous gig tonight – lovely old theatre with balconies right up in the Gods, the audience are just fantastic people, the sound is sizzlingly hot(thanks Rob & Geoff). We were right on form. I made an embarrassing “faux pas” at the off when I described the weather as cold and “a bit nipply” before singing “William Jolly”. Luckily the audience had a laugh and were not offended. Well this is the country that produced Benny Hill.
Nevertheless, I’m sure I went bright red. It’s not what I meant to say to a group of 600 people who I’d only just met. The crew were cracking up. I looked over at John and he was making circles on his chest in the nipple zone. Argh! I had to blank him out because it was just going to crack me up again. It came after a sound check full of unintentional double entendres. Simon and Rob were misinterpreting everything I said and putting an certain type of innuendo on it… Ya gotta larf.
Then just before doing the Kookaburra I had a snotty moment. Yes the dregs of that damned cold are still hanging around my nasal-passages. So I thought I’d turn my back to the audience briefly and clear a blockage with a careful outward sniff before attempting said Kookaburra. Unfortunately it was a bit closer to the surface than anticipated and… sploootch.
I had no tissues on stage, so with my back still to the audience I had to wipe up with my hands – yeach! But Johnny Gale the very excellent young roadie came to my rescue with toilet paper. I tell you – what a crew. They will do anything to help you out of a (literally) sticky moment on stage.
The band is staying locally tonight. We parked at our friends Bron and Ernie’s house just around the corner from the theatre and WALKED to the gig – very civilised. Gerry is travelling independently from home at the moment with his partner Jacqui McShee in tow. She is a famous singer in the legendary folk-jazz band Pentangle. Jay says the very first folk album he bought (a rather long time ago – 1968?) was Pentangle’s “Basket of Light”. Jacqui and I had a lovely talk in the Green Room before the sound check – I like her lots.
Gerry joined us and we talked about the confusions of his religious upbringing. His surname was Cohen but his parents changed it to Conway. This was because of difficulties with the orthadox synagogue about his Jewish Dad marrying a non-Jewish woman. Amazing! (This happened in my family too, the Jews marrying non-Jews bit, not the changing name bit). Gerry was both Christened and Barmitzvah-ed, so doesn’t know what to say when asked what he is religion-wise. Gerry subscribes to what Bob Hope replied when asked to what religion he belonged: “I belong to them all. I don’t want to miss out on heaven on a technicality.”
He also revealed that he wears special drumming shoes. This is something I didn’t realise. In the 1960s he wore Cuban heeled boots, but now he goes for functionality, over style. Fair enough. I’ve done the opposite on this tour, wearing these 3-inch heeled boots, suffering for style every night. But his drumming shoes are actually quite fashionable. Gerry & Jacqui are both nice. Can’t wait to see them in Pentangle on their April tour.
Met David Hughes at interval. David did the support slot on this tour a few years ago now, I think in 1998. He wrote an internet diary, later published as a very successful book. Lovely chap whom previously I’d only admired from afar at Cropredy. We got talking about how musicians can have (and keep) babies. Not easy we imagine, but we’d like to try it.
Dave ended up being the house-husband looking after the kids by day and being a muso by night, while his wife went out bread-winning by day. We are trying to work out how both of us could be musos AND look after the kids. He could offer no solutions, just said to try it. Hmmm – easy for him to say.
A wonderful night. The crowd went off for “Get There From Here” and gave a standing ovation after “Meet on the Ledge”. Bonzer all round! Simon was kind enough to say that we’d done an excellent job of getting the people going. I feel pleased and humble.
Not looking forward to the end of this tour, which is coming up rather quickly now. It will be sad when it’s over. David said it was real downer for him. We must remember to do some very cheerful and enjoyable treat-type things in the days immediately following the tour to counteract that. Jay is really very tired. I probably am too, but the adrenaline keeps me going, so I haven’t noticed the tiredness. I just love getting on that stage and singing my heart out, and telling people stories. It’s great. I could keep on going for another month I reckon. Maybe forever.
Our friends/hosts Bron and Ern loved the show, particularly Peggy and Gerry’s playing. They asked whether we were enjoying ourselves on stage as much as we appear to be. The answer to that is, of course, a big huge YES!
From friends in Australia: “Hi Cath and Jay, Guess what we just had an email from English friends of ours saying they saw you performing with Fairport Convention and were very impressed! So we were suitably surprised especially as they thought you live in Chesterfield now – is this right? I am from Chesterfield – well Unstone and my mum still lives there! Let us know how you are getting on – we are fine – Tommy recently finished making a CD of his own songs which he is pleased with and I am training as a counsellor. Love Ruth and Tommy.”
DAY 26: Mon 23 Feb 2004: Queen Elizabeth Hall, Royal Festival Hall, Southbank, London
Another big day. I can’t remember the last time I had a little one. First stop – lunch at the Bell Inn in Horndon on the Hill, Essex, at the very kind invitation of Rob and the band. Have discovered Fairport’s secret to finding their way around the country via the best nosheries -it-s the Good Pub Guide. Rob and Simon say it-s a must. It-s only let them down twice in 20 years. Not bad.
If it yields places like the Bell Inn for lunch, then I and my stomach are all for it. Tastiest top class gourmet tucker. The company was first class too. Had a good laugh, enjoyed the loveliest wine, the yummiest food. How can we ever go back to Little Chef? Everyone shared their desserts cos they were so scrumpti-licious. We felt like a family. The red wine went a bit to my head and I got very red cheeks and was very merry. I don’t know how these guys drink so much at lunch time. Chris had a smell of the wine but he never drinks it. Very wise man.
Received thanks and “ripples” (not nipples) from everyone for being on the tour and doing a good job. I think the thanks should go to Fairport, as it’s been such a brilliant time, and that is all down to them, and their wonderful audiences. I apologised to the band for them having to go through the noisy Kookaburra sound every night. Everyone said it was not a problem, as it actually provides the band with a very effective 5-minute call. Glad to be of service.
We followed the band into Old London Town. I am always filled with a sense of awe when I drive into this famous city. We come here so infrequently, the incredible architecture never fails to inspire. Beautiful sunny day but still FREAKIN COLD.
Queen Elizabeth Hall is part of the Royal Festival Hall complex on the South Bank. There are three venues, the RFH where Brian Wilson (of the Beach Boys) is playing tonight, the QEH where we are, and the smallest venue the Purcell Room where there is a classical piano competition. The QEH is a nice auditorium but to be honest, not as impressive as the Symphony Hall in Birmingham. Maybe itís just the interior colour scheme (see dull black vinyl chairs and Buff in foreground on drums).
But who can complain – not everyone can say they’ve played the QEH. We can! Haha!! There were even groupies waiting at the stage door for Fairport’s autograph and they asked for ours too. Were they just being polite?
Got the sound check out of the way early cos we’d been given free tickets to go on the London Eye by a nice man called Simon (another Simon)! YAY! YIPPEE! Very exciting! I was hopping up and down with excitement last night when Brav (the Tour Manager from heaven) told me about it.
What a way to prepare for a show! Went a-way up in our own little pod with Gareth, Frances and Buff/Boof. A spectacular sunset. It was gorgeous. Felt really unreal – the movement of the pod is so slow you hardly notice it. You’re out there gliding through the air looking out on this amazing view. I love my job.
Buff/Boof went very quiet, which is unlike him. He is scared of heights, poor bloke. He is normally very outgoing. I think I forgot to write about the time at the Corn Exchange when he was bored. He lay face-down on one of the backstage-trollies (a flat board on wheels) and went careering around the dance-floor. He looked like a beached whale sliding around on his stomach on ice. Hilarious! Buff is not a man who sits around quiet and demure. So it was weird seeing him go silent and pale.
Jay doesn’t like heights much either. The two sat on the bench in the middle with Jay gently keeping up a dialogue with Buff during the “flight”, to calm both himself and Buff. Jay is a darling. Got some great pics. Buff’s wife Maria called during the flight and advised him to “hold onto yer bollocks”. “Her words,” said Buff. Wise woman.
Walked back to the theatre to get ready, do our usual warm-up exercises. Time is really tight tonight as the venue charge a big fee if the show finishes any later than 10.30pm, and then apparently another bigger fee if the bump-out goes beyond midnight! This is the only place on this tour that does this (to my knowledge) and it’s pretty bloody serious.
The other strange thing here is the venue won’t let our merch crew sell CDs or books or programmes, only T-Shirts. So our albums are not on sale tonight. It feels not nice. Not nice for Fairport either because CD sales make up a huge part of the equation when engaged in the expensive business of taking a show out on the road. But ce la vie, ya take the rough with the smooth.
The audience here are really fantastic – very happy and responsive and we had a brilliant time on stage. I LOVE playing with Jay – it’s the biz! He did something very weird in “Markham Main” on the line “he hung himself one night” and I got thrown off the beat. I thought he was doing something different on the guitar for extra dramatic effect, and was unsure what might be happening, but we managed to keep on going. The crowd always go for that song, I think because it tells a story of pretty horrendous times not forgotten in this country.
I love it when the band come on to join us on our song “Get There From Here” – these blokes rock. I wouldnít mind playing with a band more often. I do enjoy the rockiness. And playing cow-bell on “Si Tu” is just sooooo rocky – clonk-clonk-clonk-clonk-4-on-the-floor-baby! Sometimes Simon forgets the words in the verses and it is very funny. No one knows what he is singing in the verses anyway, unless they are good at French or actually French – and maybe not even then.
Everyone at interval was asking why our albums were not available. We had to explain and hand out mail-order forms instead. Loads of folks signed onto the mailing list so that is a good thing indeed. Met friends of Ric’s – Paul and Judy, who made a DVD about the life and music of Stephane Grappelli, the late great Hot Club de France jazz fiddler. They wanted one of our CDs and we were keen to have a copy of their DVD, so we did a swap! Very cool. Looking forward to getting home to watch it.
My sister Rach came to see us again tonight, at interval this time, after her belly-dancing class. She was backstage and Ric invited her to come to sing “Meet on the Ledge”! Hehe! She didn’t though.
“Si Tu” was fun, especially when Simon stopped the song a few bars in, and demanded a re-start! I spoke to a man called John in the foyer who has been to see the show a heap of times during the tour. He must be a very serious Fairport fan. I said “You must be getting sick of us all, the amount of times you’ve seen the show.” He explained, “No, I never get bored. It’s different every night, especially with Fairport. Something different goes wrong every time!”
Quote of the night came from a punter who spoke to Gareth. “Have Fairport Convention got any hits?” he asked, “You see, I thought I’d booked to see Fleetwood Mac.”
The bind moggles.
DAY 27: Tues 24 Feb 2004: Pavilion Theatre, Worthing, Sussex
Oh I do love to be beside the sea. We’ve played at so many different sea-sides on the tour. It brings the fact home – the UK is an island. A small one.
Arrived just as the crew were loading in. Geoff yelled out to us “Go away, we’re not ready!” So off we toddled into the town centre to do some errands (Post Office, Dixons for blank cds, Holland & Barrat for a munchies stop – love their dried figs on those long journeys) and to have a spot of lunch.
Worthing has so many cafes from which to choose but why do people smoke in them all. Resisted the temptation to have fish and chips. I was planning to take Jay on a romantic stroll out on the Pier, but by the time we’d got back from lunch it was pouring with rain and bitter cold, so we had a romantic snooze in the car instead.
The venue is another “On the Pier” type place, but unlike Portsmouth, boasts a real theatre and stage. The stage has a big curving arch with plaster muses all around it – Calliope, Terpsichore, Melpomene, etc. Don’t ask me to name them all. The sound in here is top-notch. Band were a bit late coming down from Banbury, having been stuck in hideous traffic. That is par for the course on the roads in the afternoon in England. Rob was feeling the stress, but all was well when they got in. Sound-check just goes so smoothly now so there’s no need to panic.
Gerry was there before the rest of the band – he is still travelling from home, as he lives in the South. We had a D&M whilst he was setting up his drums – not a DM (that’s Dave Mattacks the previous FC drummer) – but a D&M about life and death. We gave him a copy of our album “Crooked House”. It has our version of “Banks of the Nile” on it, inspired by Fotheringay’s version way back in the 1960s. He said he wanted to hear our version. Gerry was the drummer for Fotheringay and Sandy Denny was in it too – just for anyone who didn’t know. This was all before I was born and is Very Important Musical History to know if one is going to be part of anything to do with Fairport.
Peggy gave me a pressie – the book of annA rydeRís internet tour diary. Fabola! Simon said they didn’t want me to read it before the tour. Why not? It’s great. Her comics are just so hilarious. Very talented woman! I love the “Many More Faces of Rob Bravinor” and Ric and Chris in their jostick and herbal tea dressing room.
Enjoyed playing our set immensely tonight. The sound is just so great, a sheer joy. Geez, we are gonna miss Rob and Geoff’s sound big-time. I want them on tour with us all the time! Who knows? One day we may be as rich and famous as Fairport (Ha!). Though the audience seemed a little quiet at first, they soon warmed up and gave us a fantastic cheer at the end, then came up with lots of smiling faces and happy comments in the interval, and lotsa albums for us to sign! Yaya! The FC boys are sounding as great as ever, and the crowd just adore them.
The finale is always “Matty Groves”, followed by a set of rockin’ tunes under the title “Dirty Linen”. My fave part of the Linen medley is the tune done over a grooving reggae beat. It always makes me dance in the wings, it’s such an arse-shaking rhythm! I asked Ric what the name of the tune was, but he wasnít sure and said to ask Chris. Chris said it’s “Paddy on the Turnpike”. I’d like to learn it. Chris knows all about these folk tunes. Chris said the reggae beat was Simon’s idea – he just started doing it during a jam one day.
Fairly big drive tomorrow up to Preston, Lancashire. The crew are travelling there overnight and won’t arrive until 6 or 7 in the morning. Bluch. Buff has the day off, so Andy Salmon the owner of the rig is doing the driving for the Preston gig. We will miss Buff, even if he does disgusting things like blowfish on the windows. He always sings the opening Bah-Baars of “Monday Monday” by the Mamas and Papas whenever I come into earshot. Mundy Mundy.
The band is going home for the night, which makes sense, as they live around Banbury which is en route. We are staying nearby in Emsworth at Nigel and Sarah’s again.
Fan Email: “Hi both! I thought I just had to mail you to say how fantastic I thought you were last night in Worthing. I was slap bang in the middle of the front row and was treated to some of the best new music I have heard in a very long time.
I think the thing that shone through the most (even more than the passion you feel for your music – as shown by your excellent rendition of “Markham Main” – I used to live in North Nottinghamshire, nr. Chesterfield and my family were miners, so I know how hard the miners strike hit the area) was the love you two have for each other – it really showed in the way you performed, and it made the evening that much more special. I think Fairport made the right decision, giving you the chance to take your show on the road. I think you will gain a lot more fans in the coming few weeks!
I will definitely be at your gig in Arundel in a few weeks time, so I look forward to meeting you then, and buying you a beer! Oh, and it was great hearing someone say “Ayup, me duck!” again – it fair takes me back! All the very best for the rest of the tour. Kevin”
And Some More: “Hi cathy,and jay, Hi its martin a fairport convention fan and now you are a new group that i will try and come to the arundel concert in april 2004. Iv e been a fan of fairports for about 5-6 yrs now and they are always a pleasure to see and it was nice to see a new folk band as surport at their concert and i wish you well and im sure ill like your cd the one that i brought last evening. I thought the howling call of that bird the cooker bourghs was very good and so loud. best wishes and good luck with your tour with fairport and your own tour as well. regards from martin.”
DAY 28: Wed 25 Feb 2004: Charter Theatre, Preston, Lancashire
“Where is Johnny Gale?” Dear John – he’s always in demand for running about doing all sorts of jobs, plus he’s responsible for tuning and restringing instruments, etc. He works really hard and is such a pleasant chap. But it’s uncanny the knack he has for disappearing. He’ll be hanging about for ages on stage, and no one asks for him. As soon as he has gone off to do something else, Brav calls out from his usual post at the front-of-house mixing desk “Where is Johnny Gale?” And Johnny Gale is no where to be found. Brav says “That lad has a cloaking device the Klingons would envy.”
I feel a little flat tonight. Jay says I look tired and my eyes look sad. I reckon it’s because we’re now nearing The End. It’s been such a fantastic time. It’s like facing the end of a run of a musical. The cast and crew become like a family for that short and rather intense time working together. Then it finishes, and the family dissipates. The band have the next album to look forward to recording in March, but what will I do to get my daily fix of Fairport now I’m addicted? Hmm.
Driving home last night we got flashed by a speed camera. Drat and dammit! It was a dual carriage way with no houses so assumed 40 would be alright, but it must have been 30 cause the camera definitely flashed us. Could see no sign stating the speed limit after the camera. And it was deserted dual carriageway ring road around the edge of town. How could 40 mph be an offence?
We heard on the radio about someone blowing up these speed cameras in the West Country using dynamite. Not a bad idea.
It was a long drive up here today. Jay and I got a bit hysterical in the car, laughing at very silly jokes. This is always a sign of having gone over the edge of mere tiredness into near madness. Jay was singing to the tune of the old standard “All the Way” but he sang “If ya go to Preston, ya have to go to Preston – aaaawwwll the waaaaaaaay. You cannae go to Cannock – ya have to go to Preston – aaaaawwwll the waaaaaaaaaay.” The Cannock bit cracked me up.
Good show, and nice to meet some of the Scottish fans who’d travelled such a long way to be there. A camera crew were filming “Si Tu Dois” tonight for the next Fairport DVD, so they couldn’t have us singing it tonight. Hmph. They said this was for Continuity, but I think it’s really because we’re not good-looking enough for cameras. We try, but not everyone has the natural charisma of Fairport. Instead of singing and playing as usual, our sole contribution to this number tonight was to shuffle on sideways like a pantomime act holding the big sheet of lyrics, stick them on the front of the stage, bow and shuffle off across to the other side.
At least I could give my poor cowbell-stick a rest. It is moulting every time I hit with it, showering splintery bits of wood all over Ric’s fiddle FX pedals. Sorry Ric.
Fan Email. I like getting fan email! “Hello Cath and Jay, Attended Fairport Tour with my husband last night at Preston. Enjoyed your set. Please add me to your mailing list. Also enjoyed the song about Miners strike in Derbyshire. Please advise if this is available on CD. I understand you will take time to answer as your are still travelling with Fairport. Regards, Wilma”
DAY 29: Thurs 26 Feb 2004: Winding Wheel, Chesterfield
As we drove home from Preston last night (ye have to go to Preston – aaawwwwl the waaay), we noticed SNOW on the sides of the road. Tempertaure: minus bloody 3 celsius. But ever since Barnstaple, we’ve noticed the signs of an early Spring – daffodils and bulbs coming into bloom, lambs being born, fruit trees in blossom. Will all this growth cease now there is this cold snap? I dunno – this is my first winter here.
Aaah, but it was good to sleep in our own bed again, after 16 or so nights away. We slept in (bliss), awoke to a crisp sunny day, then ran around like headless chooks doing the errands that build up when you’re away – laundry, emails, banking, posting mail-orders. Oh the glamourous life we lead!
I’ve driven past the Winding Wheel a heap of times, being in our “home town” an’ all, but never been inside before – it’s real nice. Used to be the Odeon Cinema I believe.
Kaz (best friend from Coventry) turned up and surprised us – she was not due till Lowestoft! What a darling. She was video-ing us tonight, which made me feel a bit nervous. And our other special guests are Jayís cousin Brian Turner who lives not far from our place and his friends. They are musos too. Jay dedicated “Markham Main” to Brian. Jay & Brian both are descended from the coal-mining Turners of Hepthorn Lane, not far from here.
Great to play to a home crowd – we only live 8 miles away. The organisers from Belper Folk Club are in the audience – they’ve been very supportive of us during the last year. The sound was excellent as usual but I couldn’t see the audience at all. The follow-spots were blinding! And they kept following our every move. That’s what follow-spots are supposed to do I know, but surely this chap took it too far. Surely one does not need to be followed by a big light every time one bends down for a subtle sip of water.
Tour Manager Brav had a very good day yesterday, apart from losing his hat. You can see him in his hat pictured in the programme. It kept his ears warm, so I hope he finds another one. I asked what size he was, thinking we might see one for him in the shops, and he asked if I’m always so forward. These guys. The double entendres keep flowing.
Buff was back today and said that he spent some time last night reading my internet tour diary. He said he thought the crew didn’t feature enough. But I thought I’d given him a starring role! Well it goes to show, you can never please everybody. Hope he likes the picture of him blow-fishing the glass door at Worthing. Brav said I was going to get in trouble about something in the diary. I bloody hope not!
Saw annA rydeR again tonight, and chatted about her internet diary. She said she worked really hard on it, doing a comic strip every day as well. How did she manage the comics AND the writing? I find it’s hard enough keeping up with the written stuff! Because we’re driving ourselves etc, the only time I get is during Fairport’s second set before “Si Tu”, which means I miss out on some of the music. We do hear it through the tinny dressing room speakers, but that’s not the same.
Simon had a joke on me when I came on for “Si Tu” tonight. I think he was getting me back for standing there facing HIM (instead of the audience) with the big sheet of lyrics a coupla nights ago. So tonight, I went out with the sheet and Simon asked me, on mic ,”Have you got it up the right way this time?” Touche. Gave the audience a chuckle. Smacked him on the bum with my cowbell stick as I went past. Just had to.
I got some lovely pics of Gerry in full flight on the Winding Wheel stage. He gets so deeply involved that basically, he IS the drums. It’s poetry. Some people have said to me they think he’s like the character Animal from the Muppets. I reckon Gerry is Animal minus the aggro.
From the Belper Folk Club folks: “I don’t know when you’ll get to read this with all the touring etc but we just wanted to say how much we enjoyed your set last night!!!! As I said at the time, it passed too quickly – something that doesn’t happen with other support acts we’ve seen (and I don’t mean Jay in 1991 ‘cos we weren’t at that concert)! We’ll certainly be along to the Arts Centre next month when you are on there. All the best – CU soon, Kath and Geoff.”
DAY 30: Fri 27 Feb 2004: The Anvil, Basingstoke
Woke up to another sunny day. Our backyard was covered in 3 inches of the lovely white stuff, which must have fallen overnight. You can’t hear snow fall. It’s really magical. Coming from a non-snowing place like Brisbane, I’m always as enamoured with it as a child. Jay says “As long as it doesn’t stop us driving to Basingstoke!” Well it didn’t – we are here in Basingstoke. Jay doesn’t feel well again -sore throat and pretty tired. Bummer.
Called my Dad before we left the house to let him know we are alright. He’d left 3 messages on the home phone while we were away touring. He’s like that. Dad said he’d been reading my Tour Diary on the web-site and found it very interesting. Good to hear. I was worried it might be boring for people outside the tour.
The Anvil is big, swish and modern inside – a really lovely auditorium with a huge open stage, no proscenium. At the soundcheck, Peggy said it was here that he played his last gig with Jethro Tull and that the previous Fairport drummer Dave Mattacks played his last FC gig here too. Then Peggy said “I wonder who’s last gig it will be tonight?” Tempting fate?
Martin is here again tonight, a very kind FC fan who has been backstage at lots of the shows on tour. He really likes my song “William Jolly”. He introduced us to a lady called Gabbi from the BBC. She is a producer for Radio 4 and is going to do a special feature on Fairport’s fans. Ric told her, “We think of them as more friends than fans.” That is the nice thing about Fairport’s relationship with their audience. You don’t get that with pop-stars. Gabbi said she’d read lots of good things about us on the Fairport chat page on the net. “Everyone is saying how fantastic Mundy-Turner are,” she said. Wow. How do we get into this chat-room?
There was a review in a national paper about Fairport’s performance at QE Hall. It didn’t mention much about the actual music or the support-act AT ALL, so it just shows what a stupid reviewer he was. Perhaps his interest was more fashion than music. He said that Fairport looked like a country pub darts team, which Brav said was a compliment. So tonight, for a joke, John Gale has put a dartboard on Gerry’s drums, the type with magnetic darts. Seeing there was no table-tennis on this tour, I thought it was a shame we hadn’t had the dartboard all the way along. It made for lots of fun at soundcheck.
We changed our set tonight because we have effectively sold out of our album “Crooked Houses”. Yay! It is a good thing to have sold so many. But we didn’t realise till this morning when we went to the stock cupboard at home and the cupboard was bare. So instead of “Rainmakers” and “Markham Main”, we sang “Dreamtime” and “Little Birds” from the “High Life” album. Wonderful to revisit these songs after such a time away from them and the audience loved them just as much I think.
My turn for a stuff-up on stage this time! I ruined the entire third line, 2nd verse in “William Jolly” which normally goes “Let the twilight thread stars one by one”. Instead of real words I opted for mushy sounds disguised (not very successfully) as words. Drat! The audience seemed very friendly about it though. John, the man who made the comment “I like coming to multiple shows cos something different goes wrong every night” was in the front row. He would have enjoyed this.
Interval was such a blast! Bloody fabulous audience! Non-stop signing cds and handing out the mailing list to so many eager new recruits. Most nights are great at the Merch stand for us, but this was really fantastic. Run off our feet. Everyone saying wonderful things to us. Yep, I love it here. So do the Merch crew. Gareth said “Can we play here every night?” It was nice to see more Turners here tonight -Nigel again with his wife Sarah and their fab Emsworth friends. They really loved the show, and thought Fairport were wonderful.
Quote of the night: Goes to a male punter who came up and asked me “What happened to Sandy Denny?” When I explained about her untimely demise some 25 years ago, he looked shocked. Obviously he’d been following her career with close attention to detail! But still even after all these years, it is sad and shocking to think of her talent not being around anymore.
DAY 31: Sat 28 Feb 2004: Marina Theatre, Lowestoft
I’ve been given the Yellow Card. Oh dear and oops. It was an innocent comment that did it, but I’ll not argue, as Brav told me that any arguing with the Ref gets you a second yellow card. Then it’s the slippery slope to a Red Card. Brav is the Ref. He says he never gets carded, he only gives them. Someone said, “But didn’t you get the Red Card in annA rydeR’s diary?” Rob said “So she’d like to think!” Hmmm.
I didn’t know the rules (not being a football fan), so asked Rob to explain. Apparently a Red Card means you have to buy drinks for the entire band and crew for the next day. Eeek! I better shut up my face, as tomorrow’s the last night and I bet they will want to drink more than usual. The usual is pretty impressive (the gentle Chris Leslie is obviously not included as he NEVER drinks).
At interval it started! Beautiful huge big snow-flakes falling in front of me! Wonderful! I ran outside in my stage-clobber and soaked it up for a while, until it got TOO nipply. Gareth followed me out and got some great shots on his digi-camera. I love the snow. Jay says “Wait till you have to drive home in it!” I don’t seem to care!!
Never been to Lowestoft before – another seaside place. Couldn’t find the theatre when we arrived. There were signs saying “Marina Theatre”, then they petered out. We seemed destined to drive around and around the one-way system forever. In desperation we pulled up and asked a local, but his accent was so weird I couldn’t understand a damned thing he said something about “rude-works” and “roondaboots”.
Then we found a man called Wayne who hopped in the car – he knew about the Fairport gig – and accompanied us to the theatre. He asked what it was like being musicians, and we said it was hard, probably because we were tired & cranky from going around the one-way system. I gave him our Spring Tour postcard in return! Nice man.
Lowestoft has a lovely crowd who were willing to have a laugh. They went crazy for the Kookaburra. Astounds me still. But funniest thing for me during the set was being afflicted with a severe case of Drooping Mic-stand Syndrome during the opening number “Dreamtime”. By the instrumental, it had dropped considerably, and by the end of the song the mic was pointing in the vicinity of my belly-button. I couldn’t do a damned thing about it with my hands full of violin plus the added need to be playing said violin. So I just kept bending my knees lower and lower and sang more loudly. John came out and fixed it all up before “Little Birds” – bless him. He’s always there when I need him.
Kaz and her mate Craig came tonight, Kaz bearing gifts of chocs and champers for the band and us as a “thank you”. She is sooooooo generous. Chris Leslie went straight for the chocs and they had to hide the champagne from Peggy. She is too much! Love ya Kaz.
DAY 32: Sun 29 Feb 2004: Alban Arena, St Albans, Hertfordshire
Driving back to our friend’s place last night was a bit hairy with thick snow falling. I’ve never really driven in heavy snow before. Fascinating! It looks so weird in the headlights coming towards you out of the dark – a spiralling tunnel effect. Mesmerising.
We are so lucky to have a fabulous place to stay with our friends Steve & Jill. They live in a pretty thatched cottage in the countryside and are the loveliest couple. Steve is sort of related to me – a special cousin of a special cousin. Last year they put on a brilliant house concert for us. As with all our friends/hosts, it’s great to be able to see them during the tour. BIG THANKS GOT TO ALL OUR HOSTS! You made the tour possible for us.
Woke up to a beautiful sunny morning with an empty realisation in the pit of my belly – “it’s the last show tonight”. Youch.
Strange how it feels like it went so fast, but, as Ric says, the start of the tour in Tewkesbury feels as age away. I feel like a different person than then. My hair has grown for a start. It takes more and more hair-goob to get it into shape every night now. I like my hair sticking up on top. The longer it gets the higher and wilder it looks when I goob it up to go on stage. Simon says I should try sticking my tongue into an electrical socket. Hmmm. Dangerous, painful, potentially lethal – but it would save money on goob.
The Alban Arena auditorium is dank and dim when we walk in – the lampies are checking out the lighting plot. There were cakes on the front of the stage and Geoff and Buff/Boof were eating them. Typical. Geoff says that the cakes are from James, a melodeon-playing boy who looks like Harry Potter who has come to help out the crew at some gigs. My hands are full of gear, so I don’t eat them until later. As I eat, it is suggested that there may be something adverse in the cakes. “You do know that Fairport always play a trick on their support act on the last night of the tour?!” But surely they’ve not had time to bake cakes with funny stuff in them, not with their gruelling schedule?
Gerry came to our dressing room before the show with a bottle of Moet as a gift! How very wonderful and kind and too-much of him. He said “thanks for the company”. Geezz Gezza – you are a koala. He, like the rest of the band, doesn’t take compliments very well and gets all sheepish (or koala-ish). We are really touched by his kind and generous gesture.
Ric did an extra special intro for us tonight, saying what a success we’d made of the tour. Thanks Ric! Our set was OK but a bit funny, I think because it was the last night. I didn’t feel settled at all.
But the best unsettling thing was yet to come – THE NAKED GEOFF. Nothing prepared me for the sight of Geoff the monitor engineer walking on at the end of our set to clear our stuff, COMPLETELY IN THE NUDE, except for a piece of cardboard on a string dangling uselessly from his neck. (I better be careful where I use the phrase “dangling uselessly”..!) Yes the tour of double entendres and bawdy humour goes on to the last…
The cardboard was supposed to cover his parts, but it (the card) was swinging from side to side as he walked and failed dismally in its mission. We were all on stage – the Fairporters, Jay & I having just finished “Get There From Here” and taking our bows. I squealed in shock and surprise. Peggy was speechless. It takes a lot to do that to Peggy.
Then I realised Geoff was acting out the opening line from “Naked”, his favourite song in our set. “Youíre the only one who sees me naked, though many more have seen me undressed.” He’s either crazy or brave, or both.
I ran downstairs to the dressing room to get my camera, but by the time I got back to the stage Geoff was already sitting at the mixing desk with his jocks and a t-shirt on. Chris Bates, official photographer of the night, was spitting chips because his camera battery had gone down and he missed the whole event. Bummer. Why was his battery down only 30 minutes into the show? He missed the best bit!
Exhilarated by his nude onstage experience, Geoff was egging us all on to go on naked for “Meet on the Ledge”. Then he got fixated on me and was begging me to go au naturale for “Si Tu” using the lyrics-sheet to cover my bits. No Chance Geoff! I’ve got to play the cow-bell.
Peggy said more nice things about us to the audience – how we were wonderful people and musicians. It was hard not to get teary! During “Meat & Two Veg” (Meet on the Ledge) the crew came on and sang too. It was great, although no one was naked much to Geoff’s disappointment and, I reckon, the audience’s relief).
Then it was over. All too soon. 32 days gone forever.
After the show, there was merching in the foyer and then merriment in the dressing room. Chris Pegg, the Powerhouse of Woodworm, was there tonight, looking gorgeous in bright luscious outfit. Peggy said she was dressed so brightly tonight that she outbrighted even me. We opened Kaz’s champagne and ate the rider sandwiches that had gone a bit dry by this time. I got everyone to sign me programme – my turn to be a groupie. I love these guys.
Jay made sure that everyone had received the cards and chocs that we’d left for them in the dressing room. The crew were given theirs during the show, because after the show they are too busy working. Mr. Leslie loved his card, which was decorated with all sorts of tea-cups. We inscribed it with “You’re our cup of tea!” Because he is. Simon said he liked the card but he didn’t eat the chocs. He said he is more of a savoury type man when it comes to food. Yes, I could tell that by the way he tucked into those desserts at The Bell last Monday.
Ric said that at 7.30pm tomorrow he will be introducing us to whoever he is with at the time. I understand what he means. It will be hard to let go of the routine.
Will I need counselling to get me through this transition? It’s been the most fantastic time EVER and I hope that we get to work together again soon. REAL SOON!
Everyone had bought a big bunch of gorgeous flowers for me. I was most touched. The card read:
Well done! All the best Chris Pegg x
Much Love TM Rob B
It was great working with you Love Gerry Conway
Always, Simon xx
Thanks – you were and are fab – love Peggy xx Youíre fab!!!
With love and thanks, Ric
Love is Geoff Jeff
Two lovely people!!! With lovely music!!!! With my love and thanks to you! Chris
A picture of an electric guitar. Buff/Boof
Zoomed up the motorway to Banbury, the Fairport boys’ bus going very fast indeed and overtaking us. We went to stay with the lovely Pam & Oliver near Banbury. Drank G&Ts till really late and really tired and really tipsy.
Fell asleep while visions of Fairport danced in my head.
Day 33: Monday 1 March 2004: Oxfordshire countryside, Somewhere near Banbury
Oops, we slept in! Had to rush to Woodworm for 1pm. Missed Rob and Geoff and the truck which came at 12.45 to drop off all the instruments. Pooh. Missed Simon too. Pooh. But luckily did not miss Gareth, Frances, Christine and also Tracey who works in the Woodworm office. Tracey wasn’t there last night, so we gave her a card of Thanks for all the hard work. She is fab. Collected our instruments whilst Gareth and Frances counted our remaining stock. We’d kept topping them up with stock throughout the tour but happily there wasn’t a lot left. Our albums sold soooooo well, especially when you realise that there was one night when we couldn’t sell cds at all (thanks QEHall). Yippee! It is a great feeling.
Home via Birmingham to visit our two of our Admin-Angels, Martin and Irene. With their wonderful and so clever daughter Naomi, they are helping us with our mailing-list. Martin and Irene do the stamping and sending, while Naomi enters the data into the computer and prints off the address labels. This helps us incredibly much. We are very grateful to them. Throughout the tour, we had so many people sign onto our mailing list. I sent pages and pages and pages to Naomi and she’s done a great job with them, typing them all in and deciphering all the funny handwriting. Not easy! Through our mailing list we can stay in touch and hopefully see these lovely folks again at our own concerts.
When we finally arrive home we check the odometer on the car to see how many miles we’ve done on the tour – 5380 total miles! Ohmigod! There are cd mail-orders coming through the door and cd orders coming from our website and it’s all very good. I think we will be kept busy with trips to the Post Office. Fan mail is still coming in too 🙂
“Cath and Jay, Came to see you with Fairport in sunny(!) Weston last month and was blown away. Your music is wonderful, got to come and see you again soon. Your songs cover so many different emotions, and touch so many different aspects of life, and it’s a treat and a priviledge to listen to you. Once again, thanks for your music, it’s beautiful. Hope to see you soon. Cheers, Jack”
“Hi, We saw you in Southsea with Fairport Convention, for someone we have never heard of before, we thought your music, writing, & performance was magical. We have looked up your gigs, & note you will be in Arundel on April 21st 04, we are looking forward to seeing you again. Is there any possibility that you could include Refugee & Youíre no angel? We already have two of your CD’s ( signed by yourselves ) and they are nearly worn out.!! Kind regards”
John Gale wrote us: “Hope you are all well…. have you both recovered yet? I haven’t! Thanks for the CD… had a listen this morning… it’s top! It was great working with you guys and hope to work with you again. Keep in touch, and next time you’re down my way give us a call and we’ll meet for a few sly drinks. You are both top chaps! Cheers, John”
No we haven’t recovered yet, and I wonder if we ever will! Thank you everybody for the Best Tour of our Lives.
HUGS and HUGE THANKS TO: Fairport Confection (sweeties ;-)), the Crew, Christine Pegg & Tracey at Woodworm Records, Rob the Great TM, all our Kind and Generous Hosts, every Venue and their Staff, and not least, every Person in Every Audience, especially those who applauded, cheered, arrived on time to see the opening act, wrote or said nice things to us, bought our cds and signed to our mailing list! You are all really….BONZER!